A grid of stripes draws the contemporary character of a beautiful home in the centre of Rome, near the dome of St. Peter's.
The sequence of geometries that it triggers, thus enhances the simplicity of a work that portrays the new home of a client at her second operation with the studio, which is also participating this time with great enthusiasm in the definition of the project, so much so that it even tweaks its name: 'I haven't changed that much', to emphasise, even in a more historical context than the previous one, the desire to support a project that is in any case declaredly contemporary.
In a balanced mix of reclaimed and newly produced furnishings, the home is thus designed, characterized by the use of oak for the parquet flooring in French herringbone and the handcrafted furniture, and the ivory colour of the walls, worked with a rough finish plaster.
The fields that draw the lines in shadow grey, delimit the space sometimes with a metal finish, sometimes in lacquered furniture, sometimes simply painted on the wall, triggering a game of geometric sharpness with the furniture and the owner's collection of paintings.
