Shanghai-based firm llLab architects created a new strategy for rural revitalization through the establishment of the exhibition Village Opera, which focuses on the interactions amongst diverse groups involved in village development. Through the use of traditional construction techniques, the exhibition seeks to highlight the complex relationships between the various parties involved in rural construction, including workers, architects, villagers, developers, tourists, and visitors.
The seven main sections of the exhibition are Prologue, Ensemble, Negotiation, Soliloquy, Duet, and Epilogue. The intricate interactions and relationships between the characters are reflected by illustrating each space as a different act in the play. The ground floor of the original farmer's house, upon which WAAAM is built, encompasses the first act, Ensemble. The exhibition scene reinforces the sense of the archaeological presence by scattering rough rubble bases.
Located on the second floor of the original building, Act II, Negotiation is left sharp and sober in contrast to the Ensemble's multimedia medley, portraying WAAM as an architectural and rural development project. The third act, Soliloquy, is a quiet area with a dramatic juxtaposition of light and shadow tucked away beneath a glazed tile wall.
Duet (Act IV) winds up the tower, a recent landmark of the community, beginning in the staircase gallery and ending with the majestic view from the terrace. At the village's entrance, the epilogue's final act takes place on the vast steps, resembling an outdoor theatre. All the characters and guests assemble here to watch the scenes from Beigou Village change and develop on the screen as its citizens gradually experience a brief sense of heroism.
In conclusion, the exhibition reimagines rural relationships and interactions combined with human interventions as a route towards rural renewal.