EMMA HOUSE
We had heard a lot about the Paula Rego Museum, designed by Eduardo Souto de Moura, and a few years ago we had the opportunity to visit it. Upon entering the museum, we were immediately moved. Beneath one of the pyramids, we were enveloped by a sense of awe and indescribable serenity.
Light filtered gently through a high skylight, cascading like golden rays on the museum’s surfaces. It felt as if every corner of the building was bathed in soft, velvety, warm light that touched everything and brought it to life. The way the light descended from those ceilings was soothing, creating shadows and reflections that danced all over the walls and floors. I remember us feeling immediately embraced and protected.
In this fascinating world of architecture, several encounters can move our inner selves; light and space become elements that awaken emotions and create transformative experiences. It is in this context that we present our project, Casa Emma.
In this project, we have sought to convey such sense of serenity and calm through light. We have carefully explored how to capture the downward light, creating an immersive experience that aims to touch those who enter the house, just as we were touched.
However, unlike Eduardo's museum, we perceive Casa Emma as an excavation exercise, as we carve out a void in the shape of a Purépecha granary, called Troje, for which Emma felt a special fondness and attachment. For this reason, the interior is made entirely of wood, aiming to accentuate this concept and make it more evocative of those traditional constructions, with a sense of respect and continuity while still conveying the same feeling of serenity and calm through light that we experienced that day.
Being located on a small plot of 4.00 meters x 10.00 meters in depth, it was necessary not only to resolve lighting and ventilation in a zenithal way but also to be very efficient with the use of space.
An access corridor was placed at the front to allow entry while concealing the roof, which is revealed further on. In the center, an open-plan space houses the living room, dining room, and kitchen with no space-draining divisions between them. At the back, the refrigerator is concealed, and the utility and storage room is located, along with the vertical circulation, or stairs, that lead the occupant to a small vestibule, which, in turn, leads to the full bathroom or the bedroom on the mezzanine.
This space is significant in terms of design, as it is the only element with a different materiality: a white volume that floats within the house. The choice of changing material aims to blur its presence or make it appear lighter, as if it were a piece of cotton floating in space. To reach this effect, it was essential that light diffuse its boundaries through reflection.
Our intention with this project is to provide visitors with an experience that awakens emotions and invites contemplation, attempting to transfer into them the experience we had that day in Cascáis. This house is an invitation to immerse in a world where light becomes the language of emotions and connection with oneself. A space that pays homage to the beauty of light and to Emma, who now welcomes us from heaven.
