The space I was given was underground, narrow, without a view or any lighting. This posed the questions of “How do I maximize the effective space?” and “Can I create a compelling microcosm?” In response, I attempted to minimize the fit and connecting dimensions of necessary functions and conditions, and connected these locations with straight lines—avoiding pillars and beams; shielding duct and pipe spaces; securing light sources at necessary angles; including necessary equipment; securing necessary storage spaces; placing door openings at welcoming angles; creating angles that avoid splashing or dripping from cooking processes; giving the walls and ceiling sprawling angles that do not create a feeling of oppressiveness…
As a result, these lines ended up creating oblique shapes that crisscross the space with abandon. While these shapes came out naturally, out of necessity, they simultaneously form shapes that incorporate distinct characters, creating a unique worldview. Design, unlike art forms that involve embellishment, has a sense of paring away any excess, and drawing out connections and solutions that match the conditions of a location.
The panels that deploy a succession of planes at various angles coalesce perfectly, at times, into a single point or line. The connections relate to and link to each other through each of the floor, walls, and ceiling. Or, a single angled wall as set out on the plan defines completely different spaces depending on whether it is viewed from the front or the back. In other words, there is a sensation that a shape starting out from one section provides an indication of another shape or space. These serve to display the beauty of creativity and a playful spirit within the chaotic blend of unbridled design and discipline.
The axis of circulation that shifts subtly at the entrance, and the ceiling that is folded upwards in a zigzagging shape, bring new shapes previously hidden by other shapes into view as one steps deeper into the space, and upon reaching the other end and turning around, show a different directionality and development from what was seen when moving forward. Unlike uniformly straight walls and a level ceiling, these tricks extend the space and change its expressions, immediately taking away any sense of oppression.
The lack of space essentially limits movement to a single line going in and coming out within a single space. However, each of these solutions are attempts to incorporate the evolution of a sequence, and form a rich expansion of space.
Rotating one of the walls (a large pivoting door) in the hall, which serves as a symbolic boundary between the interior and the exterior, reveals a completely different world, almost as if the atmosphere has been reversed. The interior is reminiscent of a hideaway, full of a cave-like ambience that is created through a modern design. It harbors something “special”; the possibility of enjoying a rare and yet-to-be experienced time, both in terms of the food and the space where it is provided. This is the sensation that I hoped to evoke.
