Situated in an old residential building, the office design regards reshaping and retrospection. To soften the new materials, up to one-third of the surfaces are left exposed in their original state, complemented by materials that evolve over time, embodying the cultural atmosphere of the building.
A T-shaped circulation defined by the frames, sliding doors, curtains, and movable furniture provides flexible spatiality. The transparent main door enhances the outward connection, creating an open office. This design reflects the brand’s commitment to breaking away from conventional design and fostering dialogue with architecture and the public.
With an undefined, free-flowing space as the core, the design integrates art exhibitions, offices, material displays, and lectures, creating an experimental venue with the dynamism of a salon.
The transitional zone at the entrance is transformed into an open reception area with functions of exhibition. A flexible, concealable T-shaped partition integrates the meeting room and material showroom, allowing half of the space to be used as a rentable venue for curatorial projects or lectures that stimulate creativity.
By visually connecting with the street trees, the design reinforces the brand’s concept of interweaving with the external world, whether socially or environmentally.
The front area, which extensively connects with the surrounding natural environment, is designated as a dynamic workspace for discussions and meetings. The meeting room and construction materials showroom are combined, with three movable glass doors set on a T-track to maintain maximum spatial transparency. This setup allows for the creation of independent work zones without interference while enabling multiple spatial configurations that enhance both individual tasks and collaborative creativity.
The meeting table is designed for adaptability, featuring built-in lighting, power outlets, and wheels for high mobility, allowing easy transitions between work, dining, meetings, and curatorial tasks for exhibitions.
Approximately one-third of the house is preserved in its raw state in the spirit of blending old and new. The cabinet is partially integrated with exposed walls for the worn red bricks to evoke the memory of the space. After removing the plastic floor tiles, concrete slabs reveal the truest status of the place as it is under construction. It prompts reflection on renovation from its fundamentals.
To embellish the aged materials, newly introduced elements center around the concept of time. Kiln-fired gray bricks, and black iron which naturally oxidize and rust over time, create harmony between the old and the new.
Aligning with the site's beam axis, a kiln-fired gray brick wall extends from the stair hall, connecting to a beam and forming a grand frame that dissolves the boundary between interior and exterior. The use of materials embodies the brand’s philosophy of cultural immersion. Additionally, a frame serves as a symbolic representation of “time,” functioning as both an electrical conduit and a boundary between static and dynamic work areas.
The entire space is open, incorporating a wealth of innovative art to foster a free and inspiring office culture. Without rigidly defining spatial functions, the design encourages users to explore the space through experiencing the essence of a Co-Working Space.
Extending the spirit of the “bare house”, the transition between interior and urban space adopts a “low-interference” approach. The original architectural windows are embedded with metal frames that refine the design, embodying a philosophy of integration that conveys interior design’s outward-reaching social impact.
The selection of materials prioritizes diversity and sustainability. Two black magnetic iron walls allow for flexible art display. Additionally, the use of side- and back-fixed screws enables a detachable construction method, while the iron-framed glass doors can be disassembled for reuse in the future.
The appearance of buildings shapes the cityscape, while their exterior is a reflection of their interior. What may seem like a minor element can, in fact, set off a butterfly effect that impacts the surrounding environment.
