Cyria

As there is no isolated act, the three initiatives are linked: they enter into a fruitful discursive relationship, themed by design. Ours is daring and imaginary. In our design office, in our collaborations, in our manufacturing methods, we don't just think outside the box, we create new paths. These paths, we like them expressive, durable and imprinted with avant-garde. PRACTICE ART. We take the side of things by claiming their poetry. Cyria thus makes design the spearhead of her reflection on urban planning and distinguishes herself by emancipating furniture from topoi from function. Our designers are for us the heirs of a literature of form, favoring the musicality of the object and the rhythm of the lines they draw. The unexplored and the sensitive therefore constitute the editorial line of our collections. Strength, authenticity, singularity: for the timid silhouettes of the furnishings we substitute successful personal formulations, to meet their audience. TO SEE FURTHER. Choosing the avant-garde, investing in neglected districts of the imagination and pushing back the lines of functionalist essentialism, is also to assume without restriction the vocation of protecting the work. If the novelty pleases, it mobilizes greed, seduces the lazy. And if with one hand Cyria creates, with the other she protects. Because editing is not a trivial act, it is a strong commitment that can only find its roots in the respect of the intellectual approach of its author.