Formally, the Chilean pavilion has been outlined as a bridge made of laminated pine wood whose wooden, reticulated structure is trusted with the expression and formal synthesis. It is a regular volume that is supported by 6 steel pillars, each with 3 arms. This allows us to liberate the noble floor by creating both a visual transparency and the free stroll of the visitors. This strategy establishes a close relationship between the urban space and the pavilion space, narrowing and fusing the line that has been drawn between the private and the public. Constructively, we have set out a kind of Meccano where the simplicity and rationality of the system allow to quickly assemble the pavilion and to dismantle it and take it back to Chile. The idea is that the system and its assembly respond to constructive tradition proper of the material with half-wood, thus, diminishing the amount of ironwork. The main structure is constituted by the reticulated beam that is located in the line of the metallic pillars. The exterior beam provides the pavilion with tridimensionality, and it also helps to balance the building. The wooden, reticulated structure appears from distance as a totality (monumental scale), while the fragment appears in the closeness (quartering of the wood) that relates us to the body and gives the pavilion a human scale, making a resistance strategy out of the tectonic and handcrafted when opposed to the seduction of the vain spectacle. The Pavilion’s interior has been developed as a neutral space easily adaptable to the programmatic demands that will reach high relevance after the Expo, considering the likely recycling of the building.
Chilean pavilion EXPO 2015
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