Commercial architecture

Una marca de moda de Sídney alcanza la mayoría de edad con su nueva sede en el centro industrial del sur de Sídney: un almacén de la época Art Decó transformado por THOSE Architects. En 2023, THOSE Architects completó la transformación de un antiguo almacén para la marca de moda femenina contemporánea MESHKI. El almacén de dos plantas es típico de la zona industrial de Mascot / Rosebery, y se había ido añadiendo con el tiempo, adaptándose a diferentes usos. Anson Smart Para celebrar sus diez años en el mundo de la moda, MESHKI adquirió las instalaciones y se puso en contacto con THOSE Architects para convertir el espa... Más

En un edificio emblemático que en su día fue un famoso restaurante argentino, los arquitectos de THOSE Architects han dejado atrás el pasado para crear una nueva sede colaborativa para Aje. Su rigurosa replanificación ha dado lugar a un interior lleno de luz, abierto pero discreto, que reúne las ramas empresariales de esta floreciente casa de moda bajo un extraordinario techo. Los arquitectos de THOSE Architects han reinventado una tienda de barrio y una terraza de 1890 en Surry Hills, convirtiendo un restaurante quemado en un luminoso centro de la industria creativa. Bajo un atrio central de cristal de 9 metros, el espacio de dos plantas es la sede centralizada de la casa de moda australiana Aje. Consolid... Más

The trade center of the construction industry draws inspiration from the Bazars of Iran in its design concept. Each floor is designed to incorporate a corridor lined with commercial units on both sides. The corridors are meticulously crafted to allow an abundance of natural light, creating an inviting and enjoyable movement space. Additionally, there are exits at both ends of the building volume, offering an attractive view and enhancing the overall circulation within the building. Furthermore, the incorporation of green and open spaces between the building volume and the corridors results in a seamlessly integrated and uniform circulation space. Caption Caption Caption Caption Caption Caption Caption C... Más

La empresa de diseño de Vancouver, Edit Studios, completó recientemente el diseño del lugar de trabajo para la nueva ampliación de oficinas de 40.000 pies cuadrados de Sandstorm Gold Royalties en Vancouver. Conocida por su excepcional cartera de royalties de metales preciosos, la oficina de Sandstorm se encuentra en la nueva torre de oficinas AAA de Vancouver, Vancouver Centre II (VCII), que se extiende a lo largo de cuatro plantas. El edificio está diseñado conforme a las normas LEED Platino, WELL Oro y WiredScore Oro. Brett Hitchins En estrecha colaboración con el equipo de Sandstorm, los diseñadores de Edit Studios crearon un innovador ecosistema de trabajo. Este espacio alber... Más

Piraeus Tower is the tallest structure at the port of Piraeus and the second tallest building in Greece after the Tower of Athens. With a height of 88 meters, its presence dominates the image of the port for five decades. The original tower designed by the architects I. Vikelas, G. Molfesis and A. Loizou was completed in 1975 but the interior has never been occupied, except for the first three floors. Being dormant since 1975, the City of Piraeus with a consortium of investors, transformed the inactive structure into a mixed-use tall building, of which PILA designed its new facade for the ‘rebirth’ of Piraeus Tower. They are also the designers of all interior common spaces accessible to office visitors and tenants. The awakeni... Más

The project focused on designing a model facade for Refah Kargaran Bank branches that can be used across different parts of the city, despite the varying scales and sizes of the branches. The initial design idea revolved around a frame that covers the entire facade of the bank. The frames are structured to be stepped, forming three continuous surfaces that can be moved wherever required to accommodate the entrance and ATM spaces, regardless of their location on the facade. If the entrance and ATM are too close to each other, they can collide to minimize shell crowding in one section. The entrance space and ATM are designed to invite passers-by to a larger space, highlighting the change in the hierarchy of the surfaces. Caption Capti... Más

The Moda Pier, a historical structure designed by Vedat Tek in 1916-1917, underwent a re-functioning project to revive its role in Kadıköy's sea transportation. The restoration and re-functioning aimed to integrate the pier into contemporary needs while preserving its historical significance. The ground level, transformed into a book-cafe and working area, features an open-plan space. Removal of additional walls created a flexible layout, offering various scenarios. Service units and toilets are discreetly placed to maintain the space's homogeneous character. The wooden ceiling, previously damaged, was restored, maintaining consistency with original woodwork. Caption Dark green ceramic tiles on one side enhance the perception of... Más

The concept of the design is in the form of an integrated rectangular cube consisting of square glasses, the idea of which is taken from the texture of the carpet. Caption Caption Caption Caption Caption Caption Caption Since the carpet is a symbol of heaven and the sky is always considered to be the place of heaven, mirrors and light-reflecting glasses were used in the design of the facade so that it is like a carpet reflecting the sky to evoke heaven. Caption Caption Caption Caption Caption Also, some glass tiles were randomly placed in different colors inspired by the colored flowers of the carpet. These glass tiles are illuminated at night by luminous panels to show the livel... Más

In the design of Tat Bank in Fereshteh Street, shade blades are considered that enter the interior space from the outside of the building. These blades, which move on the ceiling, in addition to inviting people into the bank, can guide them to the counters.  Caption Caption Caption Caption Each of these blades increases in length and height inside the bank space and finally passes over the counters and the distance between each defines the border between two counters. With the help of these blades, the outside and inside of the building are well connected.  Caption Caption Caption Spatial divisions are planned in such a way that the main hall of the bank is in the center of the entry point of t... Más

The main idea was to change the notion of the supermarket as it exists today in Greece -indifferent big boxes with long alleys of products. For us, the supermarket had to be resolved as an interpretation of an urban market place where you go to different shops to find different goods and interfere with other people. Mariana Bisti Mariana Bisti Mariana Bisti Mariana Bisti Following the refurbishment, the super market extends to 1500m2 and was limited to two floors occupying a larger area than it did before on three floors. The storage areas, which in the past occupied the majority of the space of the basement, were moved to the 1st and 2nd floors, setting the basement space free for use for the supermarket. Communication... Más