In the sideboard, the grammar translates into an object of strong formal integrity, capable of naturally inhabiting different spaces, from the living room to the dining area to the sleeping area, adapting in proportions and finishes. The roundness of the edges introduces an unexpected tactile dimension, while the thin and precise octagonal sides define the perimeter with measure. The main volume, a suspended beam, rests on truncated-pyramidal bases that elegantly lift it from the ground. The subtle incisions that mark doors and drawers become graphic traces, functional accents that do not interrupt the continuity of the sign.
