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BNP Paribas

Applied products
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The place Saint-Honoré had for many years been occupied by a multi-storey car park. Recovery of the plaza involved its demolition and the construction of a 5-storey transparent office building in its place. The plaza was remodelled with new paving and urban furniture. Communication between the building and the district is established by a covered street that crosses it lengthwise.


Program: restructuring project for the plaza, office block, commercial establishments and an underground car park. Client: Paribas Gross area 23,000 m2 Consulting engineering: secahud & bossuyt Facade and atrium structure: ove arup

BNP Paribas

BNP Paribas
Nava-Rapacchietta
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Catellani & Smith has collaborated to the restoration project of the branch office of BNP PARIBAS in Aix en Provence, where its lighting objects have been installed to contribute with elegant sobriety to the historic setting, an eighteenth century building.


Light plays an absolutely vital role in this project.

In spite of the fact that the lamps by Catellani & Smith represent the only detail of colour in the location, where white colour prevails, 25 Lederam wall lamps in copper color, Sorry Giotto suspensions hand-painted in blue-universe and Macchine della Luce in gold finish are harmoniously integrated in the rooms. The result is a perception of a familiar light, at the same time new and amazing.

Lights that look precious even if they are switched off and are able to convey emotions and wellness when they are lit, are lights that, as Enzo Catellani would say, “reflect their glazes, leading you to your dreams”.

Brand description
The value of a craftsmanship born from the story of a meeting between a blacksmith and Logan Smith, has been evolving for 25 years and always keeping abreast of the last innovative technologies. This has allowed Catellani & Smith to strengthen and expand his presence on the lighting market worldwide. “When I create a lamp, I always start off with a prototype; my laboratory is a workshop where I continually accumulate materials, components and objects of all different kinds; and this is where everything was born... I assemble, weld, bend, shape... I need to feel the materials, to see how they play with light. In this initial stage there is no real design, the idea must take shape immediately, becoming an object. Only at this point do I move on to the traditional design phase: feasibility, technical characteristics and much more; it’s an idea of light, and the desire to tell about it, which guides me through the construction. I believe that this process can be felt in products by Catellani & Smith. A large part of my production is made up by pieces that require a great amount of craftsmanship: it’s the hand of the craftsman that builds them, his manual work that creates the imperfection, making a truly unique object.”   Enzo Catellani 
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