Archello Awards 2026 · Enter your projects before 30 September 2026
Archello Awards 2026 · Enter your projects before 30 September 2026
Casa Moro
• Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)

Casa Moro

ABOVE ALL, RESPECT FOR NATURE… IT WAS THERE BEFORE OUR ARRIVAL… Feeling the forest, the birds, the atmosphere of living among the trees, sitting under their shade, listening to the leaves rustling on windy days.

photo_credit •	Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)
• Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)

MATERIALITY
The void already existed. We did not find “emptiness”. From a physical perspective, the void was real—a measurable and observable space. This void was shaped by the land’s natural undulations and the trees that defined its boundaries.

photo_credit •	Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)
• Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)

First, we laid a wavy concrete mantle, blending it with the terrain and covering it with vegetation. Most of the program lies beneath this structure. This operation makes the mass disappear, preventing any impact on the existing void or urban space.

photo_credit Jonathan Paz
Jonathan Paz

Then, completing the composition and floating in the void, we placed a reflective box—a form that interacts with and multiplies nature.

photo_credit •	Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)
• Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)

The placement of these two elements—the green mantle and the reflective box—frames the void, preserving spatial continuity from the street to the green core. They create a habitable space, a spatial promenade with dynamic tensions leading to a central access point atop the mantle.

photo_credit •	Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)
• Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)

SYSTEM
Under the concrete mantle, an open-plan space was created, featuring a central courtyard—the heart of the house, sheltered from street views.

photo_credit •	Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)
• Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)

Beyond the courtyard, a fluid wooden volume was strategically positioned beneath the mantle, defining and organizing all functions through its relationship with the edges. It separates public from private areas, served from servant spaces.

photo_credit •	Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)
• Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)

Above the mantle, a green terrace protects the lower level, restoring the occupied surface and transforming it into a natural space.

photo_credit •	Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)
• Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)

The floating box functions almost as a second home—a minimal guest house with a living-dining area, bedroom, bathroom, and small kitchen. From here, one experiences a different perspective, being among the tree canopies.

photo_credit •	Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)
• Obra Linda (Cecilia Ines Pallin López, Pedro Ferrando)

RESEARCH
Quoting Jorge Oteiza: "The work is the active unoccupying of space through the fusion of light formal units. Space is a place, whether occupied or not. But an unoccupied place is not the void. The void is obtained; it results from a formal absence. The void is made—it does not exist a priori."

Volumes do not exist for their own sake; they define the void. They create an unoccupied space where mass disappears.

. The void is not absence but the organizing force that gives meaning to the spatial arrangement. These elements carve hollowed-out spaces within nature, actively unoccupying space through the fusion of interdependent volumes.

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