The architecture, a built manifesto of Shaun’s belief and values, captured in concrete, stone and timber, detailed beyond the point of might commonly be expected, a reflection of the existential nature of designing one’s own home. The house, the embodiment of the practice’s identification with a Sub-Tropical Modernism, paying homage (in detail) to architectural inspiration from the likes of Le Corbusier, Mies, Scarpa, Alto, Wardle, Donovan Hill to name the most influential.

Collaboration being at the heart of the building, engagement and support, helped shape the detail, the selections, and the cohesive nature of the outcome. Art, interiors and landscaping, the metaphorical “skin and organs” on the architectural “skeleton” reflect a deep passion in the belief that a great living environment is the sum of all the parts. There is no plasterboard in the house, nothing painted white, and little applied finish anywhere. Surfaces are natural, tactile, matt, and non-precious with the hope that a more connected, organic, and natural built form more directly connects us to the world we live in.

Biophilic landscape integration characterises the visual and lived experience of the home with light, air and serendipity supporting the aspiration that a home can reframe the way we experience the world around us, and offer a quality of existence that transcends fashion or aesthetic pursuit. We are indebted to all that helped us make this dream real.