Archello Awards · Winners Announced
Archello Awards 2024 · Winners Announced
Archello Awards 2024
Winners Announced
San Francisco Conservatory of Music’
Tim Griffith

San Francisco Conservatory of Music’s New Ute and William K. Bowes, Jr. Center

Mark Cavagnero Associates as Architects

Located in the heart of San Francisco’s Civic Center, the city’s performing arts district, the Ute & William K. Bowes, Jr. Center for Performing Arts at the San Francisco Conservatory of Music (SFCM) was designed by Mark Cavagnero Associates (Cavagnero) as a “vertical campus” that incorporates student housing, dining, classrooms, rehearsal rooms, performance spaces, and a radio station all under one roof.

photo_credit Tim Griffith
Tim Griffith
photo_credit Tim Griffith
Tim Griffith

“We designed the Bowes Center as an expression of the Conservatory’s mission, where students and the public can come together to experience music in a welcoming, inspiring space,” said Mark Cavagnero, Founding Principal of Mark Cavagnero Associates. “It’s so gratifying to see it come alive; we hope the building inspires students to learn, connect, and create, in the context of the city’s performing arts leaders.”

photo_credit Tim Griffith
Tim Griffith

The Center is named in honor and recognition of the $46.4M gift from the William K. Bowes, Jr. Foundation, which marks the largest capital gift ever made to a music school; the Foundation’s namesake was a longtime SFCM supporter and trustee. Walking distance to SFCM’s Ann Getty Center at 50 Oak Street, the Conservatory’s home since 2006, the Bowes Center creates housing for up to 420 students. The building also includes 27 rent-stabilized apartments, which upgrade and replace existing units from the site’s previous building for its prior tenants.

photo_credit Tim Griffith
Tim Griffith

“We’re thrilled to inaugurate the Bowes Center,” said SFCM President David Stull. “It was very important to us to create a space that encourages access and breaks down silos. For too long, the world of classical music has been seen as exclusive, with a huge barrier to entry—in its transparency, the Bowes Center invites the public in and builds connection. For students, it creates more housing and interaction between the disciplines to illustrate that a passion in music can build sustainable careers and lifelong pursuits. By creating an inviting space and offering free admission for 90% of our performances each year, we hope to build a community beyond our walls.”

photo_credit Tim Griffith
Tim Griffith

Cavagnero’s design emphasizes openness, engagement, and light through its exterior of white and transparent glass. Filled with the sights and sounds of music, the Bowes Center invites passersby at this active intersection to see performances through floor to ceiling windows in its ground floor jewel-box Cha Chi Ming Recital Hall. The top two floors glow like a beacon at night, with floor to ceiling windows, the 200-seat Barbro Osher Recital Hall, flexible event space, and roof terrace offering unparalleled views of City Hall, Davies Symphony Hall, the War Memorial Opera House, and other landmarks.

photo_credit Tim Griffith
Tim Griffith

Building on the firm’s innovations in the design of SFJAZZ, Cavagnero’s design for Bowes achieves the transparency of a glass exterior, while exceeding its rigorous acoustic requirements. To achieve a cohesive design language, while meeting its high acoustic demands—which change from floor to floor, with a mix of performance, practice, recording, and residential spaces throughout its twelve stories, and are made more complex by the neighboring Van Ness Avenue—the Cavagnero team designed a custom curtainwall system that integrates all acoustic requirements into one seamless envelope. Collaborating with Kirkegaard Associates, Tipping Structural Engineers, and curtainwall fabricator CS Erectors, Cavagnero pushed the boundaries of glass’s capacity to perform at high acoustic levels. The design utilizes double-glazed walls and a floating structural slab to isolate noise and vibration transmission from the street, while maintaining transparency into the performance spaces. The double-glazed system also provides a sustainable element to the design, creating additional thermal buffer.

photo_credit Tim Griffith
Tim Griffith

On the Bowes Center’s second level, the Center for New Media features studio space, lesson rooms, and critical listening rooms for students participating in the Conservatory’s Technology and Applied Composition Program. Capitalizing on the school’s location in the performing arts district, and proximity to Silicon Valley, the program prepares classically trained composers to score film and video games. The center is also used by students in SFCM’s Roots, Jazz, and American Music Program, created in partnership with SFJAZZ. Classrooms, keyboard labs, a black box Technology Hall, and a recording studio for all SFCM students are located in highly acoustically controlled spaces in the below ground levels. Floors three through 11 hold one, two, and three-bedroom housing units, each acoustically isolated for practicing. One floor is dedicated to housing for San Francisco Ballet Students as an extension of the Conservatory’s unprecedented partnership with the nearby SF Ballet.

photo_credit Tim Griffith
Tim Griffith

Project Description

 A “vertical campus” that incorporates affordable student housing, dining, classrooms, rehearsal rooms, performance spaces, faculty offices, and a radio station under a single roof, the Bowes Center is designed to enable students to create, learn, and share music in an integrated, collaborative environment. Named in honor and recognition of the $46.4M gift from the William K. Bowes, Jr. Foundation, the Bowes Center doubles the school’s square footage and features state-of-the-art teaching facilities and three new performance halls.

photo_credit Tim Griffith
Tim Griffith

Special Features:      

Highly acoustically-controlled music education spaces including classrooms, keyboard lab, a black-box Technology Hall, and a recording studio in the basement levels.
A ground floor with a jewel-box recital hall, visible to all passersby through floor to ceiling windows, a student center with social and study spaces, and dining from Chef Loretta Keller, known for her work at San Francisco’s Coco500
A Center for New Media on the second level with faculty offices, lesson rooms, and critical listening rooms for students participating in the Conservatory’s Technology and Applied Composition Program and the Roots, Jazz, and American Music Program.
Studio and one-bedroom apartment housing on floors 3-4, to replace a dilapidated apartment building that was previously on the site. Former tenants are moving into the new building at their prior rents.
Two and three-bedroom student housing units on floors 3 through 11, each acoustically isolated for practicing. One floor is dedicated to housing for San Francisco Ballet Students, an extension of the Conservatory’s unprecedented partnership with the nearby SF Ballet.
Short-term faculty housing on floor 12, providing 1-bedroom and studio apartments for visiting faculty and guest performers.
A 200-seat Penthouse Recital Hall, flexible event space, and terrace on the top two floors, offering unparalleled views of City Hall, Davies Symphony Hall, the War Memorial Opera House, and other landmarks.

photo_credit Tim Griffith
Tim Griffith

Team:

Architect: Mark Cavagnero Associates

Cavagnero Project Team: Mark Cavagnero, Founding Principal;Kang Kiang, Principal; Katy Hawkins, Associate; David Kwon, Robert Shepherd, Tim Waters, Joseph Holsen, Olga Luebker, David Bibliowicz, Sean Wong, Blake Perkins, Melanie Stepanicich

General Contractor: Charles Pankow Builders

Owner's Representative: Equity Community Builders

MEP Engineer: Meyers+ Engineers

Structural Engineer: Tipping Structural Engineers

Civil Engineer: Luk and Associates

Façade Consultant: Maurya McClintock Facades

Waterproofing: Simpson Gumpertz & Heger

Landscape Architect: GLS

Lighting Consultant: Auerbach Glasow

Theater Consultant: The Shalleck Collaborative

Performance Space Acoustician:  Kirkegaard Associates

Housing Acoustician: Salter Inc.

Code Consultant: Reax

Façade Maintenance: CS Caulkins

Door Hardware: Campbell McCabe

Signage: Clearstory

Sustainability: Thornton Tomasetti

Elevator Consultant: Syska Henessy

Facade Contractor: CS Erectors

Architectural Woodwork: Fetzer Architectural Woodwork

AV Integrator: BBI Inc.

Photographer: Tim Griffith

photo_credit Tim Griffith
Tim Griffith
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