Beverly hills mansion

In Los Angeles, where the landscape is as much a client as the human resident, architecture becomes an act of translation. This Beverly Hills hillside home, conceived by Whipple Russell Architects, answers a geologic challenge with sculptural serenity — a cascading Mediterranean retreat that follows the natural slope of its ridgeline parcel with grace, restraint, and reverence. Simon Berlyn Simon Berlyn Simon Berlyn Simon Berlyn Perched on a steep incline without a single flat pad, the home emerges not as a monolith, but as a rhythmic series of terraced levels — each responding to topography, setback, and sun. A three-story stack was prohibited by geology and code; instead, the home steps elegantly down the... More

Los Angeles-based Conner + Perry Architects, the current architects of record for the Sheats-Goldstein Residence and Estate, unveil the property’s newly completed annex, Club James. Originally envisioned by renowned mid-century architect John Lautner and estate owner James Goldstein, the development and completion of the accessory entertainment facility symbolizes a fully collaborative effort between Goldstein and three design teams that spans nearly fifty years. Joe Fletcher Joe Fletcher As one of Los Angeles’s most famous mid-century homes, the Sheats-Goldstein Residence is nearly as iconic as the Hollywood sign itself, having been featured countless times in film, television, fashion, and music videos, and widely r... More

The Summitridge house is a creative collaboration between architect Marc Whipple and Troy Adams of Troy Adams Design, who served as project manager and interior designer. Both enjoyed the process immensely, and this distinctive house is certainly evidence of a successful partnership. It all begins with the land and its orientation to the views. The property is a flat hourglass shape on top of a ridge with steep slopes on two sides, so the shape guided the positioning of the house. It has a beautiful view to the west on the left, and looking down to the south, of canyons and the city. Marc: To get a viable house on that unusually shaped site, with height restrictions and setbacks, was the challenge. The design is not rectangular, it's not... More

It's always fun to see the evolution of our projects, as they change hands with new ownership. Our original client for Benedict Canyon was from the sports world, and he wanted an open-plan house for entertaining, that would also include a photography studio and gallery space for displaying his large scale artworks by him. Seven years later, in new hands, the original bones are still in place, the landscape is more mature, and the rooms have been repurposed to suit the needs of the new owners. Anthony Barcelo Anthony Barcelo Anthony Barcelo Anthony Barcelo Anthony Barcelo The long curving driveway down to the property arrives at a car park and entrance walkway, passing an upstairs studio space on the left-hand side,... More

Jason Speth Guests coming up the front steps of this hilltop home are met with a Carrera marble sculpture by Richard Erdman, titled Serenade, selected by our clients, whose devotion to the process made this an especially joyful collaboration. Also part of the team were Robert Wright and Jason York of McCormick and Wright, who did the interior design and were a distinct pleasure to work with. There are a lot of details and non-standard finishes in this house - personal taste, not trendy taste. The dark-grey rough stacked-slate exterior is capped with crisply contrasting white stucco. A pivot-style all-glass front door and surround welcomes you to the modern West Coast lifestyle, framing a view through the house to the hills beyond.... More

Our client, C.J. Wilson, who was a Major League Baseball pitcher, wanted an open-plan house for hosting guests, a large flat lawn for ballplay, and a photography studio along with a gallery space suitable for hanging his large art projects.  William MacCollum   The hilltop site required a 10-foot high retaining wall to create a sturdy level pad for building our client’s vision. William MacCollum A spiral driveway leads to the property, which then opens to the car park and entrance walkway. William MacCollum William MacCollum William MacCollum On the left, is the upstairs studio space, accessible via stairs that rise up over the first reflecting pool. William MacCollum   Wide horizonta... More

  William MacCollum One aesthetic idea driving the creation of Laurel Way was that each room or space should be a jewel box, an individually conceived, precisely functional and dramatic sensory experience with its own depth of architecture. Central to the composition are many of Marc Whipple’s signature elements, one being the use of texture; smooth next to rough stone, rich wooden panels against glass, and glass reflecting water. The immediate experience upon entering the house is its inherent weightlessness – the sense that the walls appear to float as panels and you are always connected to the outdoors. This is achieved with adherence to precise symmetry of beams, support panels, tiles, and sightlines, and also th... More