LMN Architects is pleased to celebrate the completion of the Seattle Aquarium’s new Ocean Pavilion expansion. The project designed in collaboration with Thinc Design is the first substantial addition of the Aquarium since 2007, and features 50,000 SFT of immersive habitats, back-of-house elements, educational spaces, and views of the surrounding natural landscape and the urban waterfront.
Guided by an ethos of interconnectivity and mutual care of the one world ocean, the Seattle Aquarium’s Ocean Pavilion is the latest addition to the Seattle Aquarium’s existing facilities on Piers 59 and 60, expanding the Aquarium’s sustainable campus. The new Ocean Pavilion highlights the connection between people and marine life at home and around the world. Ocean Pavilion also serves as a link to downtown Seattle, Pike Place Market, the newly revitalized central waterfront, Elliot Bay, and the ocean beyond.
“The Seattle waterfront is experiencing a major transformation, and the new Seattle Aquarium Ocean Pavilion anchors a central location in the new waterfront development between downtown Seattle, Pike Place Market, and the Salish Sea. The Ocean Pavilion integrates a network of accessible, inclusive connections linking the city, the waterfront, and the ocean,” said Mark Reddington, Partner at LMN Architects. “The building and the new waterfront are integral components of Seattle’s largest civic project since the Space Needle opened 60 years ago for the Seattle World’s Fair. The Ocean Pavilion represents what is possible when the local community and a multidisciplinary team collaborate in support of a shared vision of public life and a conservation mission. It has been an honor to partner with the local community, Seattle Aquarium Society, Thinc Design, and a diversity of collaborators.”
The curving pavilion integrates into its complex urban site, which fronts the waterfront pedestrian promenade and connects to Seattle’s iconic Pike Place Market via the City of Seattle’s new Overlook Walk. With the stunning backdrop of the Salish Sea, the building makes an extroverted gesture to the water with sweeping geometries and a series of views connecting visitors to Puget Sound and the ocean beyond. Strategically placed glazing, including an iconic oculus, provides access to the Aquarium for all, providing equitable opportunities for the public to see into the Reef habitat, the approximately 500,000-gallon tropical habitat and the largest tropical habitat in the Pacific Northwest.
Inside, the 50,000-square-foot building is an armature for immersive habitats, ecological experiences, educational spaces, and hands-on exploration. The design also peels back the layers of aquarium experience, inviting visitors to see the back-of-house spaces and mechanical systems alongside curated ocean and city views, which together demonstrates the interplay between human and ocean life. Beginning in One Ocean Hall, the central gathering space, visitors are immersed by powerful 360-degree imagery spotlighting marine ecosystems around the world.
“By emphasizing its intention to work with the widest possible spectrum of people connected to the ocean,” comments Tom Hennes, Principal of Thinc Design, “the Aquarium challenged our design team to develop a new kind of aquarium centered on the human relationship to the world ocean. This is embodied by One Ocean Hall and amplified throughout the living habitats and the exhibits. We’ve been able to achieve an extraordinary level of experiential richness only because the 'we' in this project is a singular collaboration with LMN, the Aquarium, and the many Indigenous and community partners whose imagination and knowledge made it complete. It has been a gift to be a part of it.”
The Reef, Ocean Pavilion’s central habitat which cantilevers over the main entrance plaza, highlights a diverse coral reef ecosystem with more than 120 species of fish visible from an enormous, curved cathedral window, and from multiple vantage points that transport guests below the water’s surface. Other vignettes and exhibitions across the building’s three levels express the interconnectivity of ocean and human ecosystems, an ethos continued above in the public roof garden where seating spaces intertwine with Indigenous plants and panoramic views of the city, ocean, and mountains beyond.
To honor and acknowledge the Aquarium’s location on the traditional lands of the Coast Salish people, the project team worked closely with Indigenous consultants and members of the urban Native community to inform the programming, design, and cultural framework for the building, landscape, exhibits, and public art. Engagement included hearing traditional stories from tribal elders, workshops with tribal youth, and regular design sessions with Indigenous consultants.
Sustainability is one of the core institutional values of the Seattle Aquarium, and the Ocean Pavilion is targeting LEED Gold and ILFI’s Zero Carbon certification. Sustainable strategies include the use of recycled and healthy materials such as carpeting created from abandoned fishing nets and used water bottles; building electrification and the elimination of fossil fuels; reducing embodied carbon by about a third via material strategies including low-carbon concrete mix designs; reducing operational carbon by heat sharing between the building and life support systems; and water reduction via a semi-closed system that optimizes seawater usage from the Sound to interior habitats.
“It has been a privilege to work closely with our Indigenous partners, scientists, local activists, engineers, artists and sustainability experts. We are very proud to celebrate the completion of the Ocean Pavilion which will welcome everyone in Seattle and visitors from around the world inspired by the mission of the Seattle Aquarium,” Osama Quotah, Partner at LMN Architects, comments. “More than just a building, the project is a new model for aquariums – inspired by the interplay between humans and the ocean. The unique interior and exterior spaces weave together local and global experiences through a network of immersive spaces, expansive views, and interpretive moments. Sitting at the heart of Seattle’s new waterfront, the completed Seattle Aquarium Ocean Pavilion is a dynamic and critical link between the social infrastructure of the city, the region, and our one global ocean.”
“Seattle Aquarium went into the planning of our major expansion with the expectation of building a One World Ocean Aquarium for the twenty first century,” Susan Bullerdick, Seattle Aquarium’s Senior Director of Capital Projects, explains. “Bringing LMN Architects, Thinc, Indigenous consultants and others together on the project as true partners was the only way to achieve it! To expand our mission’s reach with the Ocean Pavilion at the heart of the historical redevelopment of the Seattle Waterfront, leaves us grateful and inspired for the future.”
LMN Architects is recipient of the 2016 AIA National Architecture Firm Award and is widely recognized for its design of projects that support smart, sustainable cities. The firm has successfully completed more than 1,000 projects across North America, including the double LEED Platinum Vancouver Convention Centre West in Vancouver, Canada; the Voxman Music Building at the University of Iowa in Iowa City; Tobin Center for the Performing Arts in San Antonio, Texas; Seattle Asian Art Museum in Seattle, Washington; and the Mukilteo Multimodal Ferry Terminal in Mukilteo, Washington. The firm’s ongoing dedication to communities at all scales is underscored by its design approach, creating environments that elevate the social experience.
Team:
Client: Seattle Aquarium Society
Architect: LMN Architects
LMN Project Team:
Vanessa Abin-Fuentes
John Aldredge
Kjell Anderson, FAIA
Rusha Bartlett
Madeline Black
Hank Butitta
Bryant Callahan
Scott Crawford, Associate AIA
Rob Curran
Michael Day
Justin Farmer
Nicholas Freese
Junjie Jiang
Hanna Kato, AIA
Tanner Kirchoff, AIA
Rives Kitchell, AIA
Samantha Lewis
Sam Miller, FAIA
Sierra Morin
Lauren Patnoe
Christopher Patterson, AIA
Osama Quotah, AIA
Mark Reddington, FAIA
Ayako Sakurai, IIDA
Jennifer Sasahara, AIA
Todd Schwisow, AIA
Mary Anne Smith, AIA
Jennifer Tamblin
Liem Tran
Ka Yan Tsang, AIA
Masako Wada, IIDA
Christina Wilkinson
Alex Woodhouse, AIA
Sicheng Zhou
Exhibit Design: Thinc Design
Thinc Design Team:
Christopher Boyd
Rhoda Cosme
Melanie Feaster
Tom Hennes
Eric Hoffman
James Hollingsworth
David Lazenby
Cynthia Lee
Jesse Loosbrock
James Pase
Aki Shigemori
Lukas Thorn
Development Manager: Shiels Obletz Johnsen
Landscape Architect: Field Operations
Indigenous Consultants:
Robin Little Wing Sigo (Suquamish), Valerie Segrest, Colleen Echohawk (Muckleshoot), Owen Oliver (Quinault), and other contributors from the local tribes, tribal youth and urban Native community.
Cultural Liaison: Headwater People
Civil & Structural Engineer: Magnusson Klemencic Associates
MEP Engineer: PAE Consulting Engineers
Life Support Systems Engineer: Ardurra
Horticulture & Planting Design: Tahoma Peak Solutions
Irrigation Consultant: Dragonfly
Lighting Design: Horton Lee Brogden Lighting Design
Signage and Wayfinding: Studio Matthews
Acoustical Design: Stantec
Code Consultant: Pielow Consulting
Accessibility Consultant: Studio Pacifica
Envelope Consultant: Morrison Hershfield
Public Artist: Dan Friday (Lummi Nation)
Public Art Consultants: Asia Tail (Cherokee) and Sara Siestreem (Hanis Coos)
Contractor: Turner Construction Company
Photography Credit: Lara Swimmer/Esto
Materials Used:
FSC Alaskan Yellow Cedar (harvested from tribally owned and managed forests) façade, concrete, curtain wall, IGU, composite metal panel, carpet created from old fishing nets, acrylic glazing, paper composite sheet material.
