Aeon Hotel Story by Marca Corona Aeon Hotel Aeon: Where two worlds meet Story by NOA Aeon: Where two worlds meet

Aeon: Where two worlds meet

NOA as Architects

Boundaries – between past and future, between dream and reality, between inside and outside: noa* makes the invisible lines visible, which become part of the full picture and, above all, instead of a separation, a connection between two worlds.

It is a privilege to have the space to realize one’s own vision, nestled between one’s own meadows and woods, with an expanse that affords views from the Sciliar to the Rittner Horn, all the way to the Merano Alps and the Dolomites. The historic Lobishof, a perfect ensemble of an old inn, residential house, and traditional barn, is now writing the next chapter of its history with the next generation – one in which noa* has created the new, architectural framework.

photo_credit Alex Filz
Alex Filz

LET THINGS TAKE THEIR COURSE
From the very beginning, the 550-year-old farm turned out to be a valuable source of inspiration for the development process of the project, whose horizons allow one to look far and wide. In order to create a certain spatial analogy from the site’s history, a gentle bond was made to its past, through the layout of the building units and details – the entire volume of the new buildings is consciously modeled on the existing structure.

photo_credit Alex Filz
Alex Filz

“The creation of an ambivalent tension between the centuries-old tradition of the rural complex and an exclusively modern statement was the basic principle underlying the design process,” stresses architect Christian Rottensteiner in describing the initial approaches to the concept.

photo_credit Alex Filz
Alex Filz

It would have been easy to simply go wild on the famous “green meadow.” But noa* chose a different path: the design consists of freestanding bodies that allow the landscape to flow through and become part of it. The result is two buildings, one hosting the public area with a reception, bistro, bar, and wellness area, the other the private area with a total of 15 guest suites.

photo_credit Alex Filz
Alex Filz

“The gentle topography we found and the arrangement of open and at the same time protected outdoor spaces conditioned the layout of the individual building volumes,” says Christian Rottensteiner in explaining the architectural concept.

At first glance, they appear singular and together they form a permeable courtyard context. However, there is an ingenious connection, a hallway that elegantly vanishes under an artificially created hill – hence disappearing out of sight.

photo_credit Alex Filz
Alex Filz

LEARNED, FELT, TRANSFORMED
The two buildings also establish a strong bond with the existing structures in their design language. You can find traditional gable roofs, as well as a very dynamic façade design with reinforcing slanted elements, that replicate the design of the struts and brackets of the historically listed barn while translating them into a modern statement. This allows the facades to be perceived differently – depending on how one approaches the edifice. This way, the east and west façades break strongly towards the outside, while the north and south sides appear as a homogeneous envelope. The trapezoid windows catch the eye in a striking way. The upper, slatted structure that stretches over the entire length of the building almost disguises the stories and create a homogeneous appearance.

photo_credit Alex Filz
Alex Filz

“Verticality and linearity are the leitmotivs of two strongly contrasting design approaches – at times creating the feeling of floating between worlds.” – Christian Rottensteiner

The entire project takes life from its many sophisticated details and stories, which always revolve around the family and the place where the project unfolds. For example, wood from the farm’s own woods was used. The renewable raw material makes the architecture accessible and underscores its vitality through the projections and recesses that create exciting shadows. Guests enter the building through an entrance portal made of black steel, which bears the family’s old coat of arms from 1464 on the outside.

“The ‘slope’ is traditionally an element for load transfer and static reinforcement – here it was used to make the volume more dynamic and to make it merge with the landscape,” says Christian Rottensteiner, sharing his thoughts on the design approach.

photo_credit Alex Filz
Alex Filz

A MYSTERIOUS “IN-BETWEEN” WORLD
Stepping through the steel front door through the entrance area, one experiences an intense and extraordinary breakthrough, an immersion into something that atmospherically represents the future – because the entire interior is characterized by a colorful, horizontal dichotomy: A soft beige - communicates feelings of being grounded, familiar, delicateness – meets a mystical blue that embodies the future, the mysterious, the uncertain. This expressive, clear-cut division line is consistently drawn through both buildings – once horizontally, once vertically.

photo_credit Alex Filz
Alex Filz

Interior designer Patrick Gürtler explains the choice of colors: “The past has grown like stone, wood and nature. The future, on the other hand, is veiled, mysterious and artificial, i.e., it is intangible like the sky, the night, or the ocean. In between is the moment, a sharp, unconditional break, but also a point of contact.” A split – not to separate, but to connect. “Guests are invited to move through and sense this cosmos between polarizing environments,” Patrick Gürtler continues.

photo_credit Alex Filz
Alex Filz

DEFINING THE UNDEFINABLE
Through this concept noa* aims to show the strength of the “in-between”; after all, the building site lies in a place where one stands firmly on the ground and at the same time has the feeling of being able to touch the clouds. In the public building, the sharp-edged transition between beige and blue takes place at eye level, at a height of 1.60 meters, to make this “in-between zone” tangible. But the concept is not centered only on the floors, walls, and ceilings: All the furnishings – from the curtains, through the furniture to the light fixtures – are part of a holistic approach.

photo_credit Alex Filz
Alex Filz

As a kind of tightrope walk between “being rooted” and “wanting to fly,” an interior concept that seems completely detached from place and time unfolds before the eyes. On the ground floor, a multi-functional room opens up to the visitor. While the reception, which features a discreet desk, welcomes the guests, the bar, with its unique details, catches the eye and invites to explore the surroundings: a large wine display in the middle of comfortable bistro tables, the panoramic parlor that can be flexibly played with, the lounge area with open fireplace and mirrored ceiling, as well as the reading corner with hanging sofas, somewhat out of the way, define the space. Large window surfaces allow the surrounding nature to become an integral part of the room.

photo_credit Alex Filz
Alex Filz

A FULL IMMERSION WITH ALL YOUR SENSES
The wellness area is located on the first floor of this building. On the way up, one “dives” through the horizontal blue and finds oneself in the opposite color concept: as a symbol for water, the blue is now below. Once past the inviting fruit bar and the drinking fountain, the wide relaxation space and adjoining terrace open up. But the spa has much more to offer. The spectacular, half covered outdoor infinity pool juts out from the southwest side of the building, affording spectacular views. It can be reached via a platform, the top level of which marks the “water’s edge,” marking once again the alternation between blue and beige.

photo_credit Alex Filz
Alex Filz

Just a few more steps up is a separate relaxation area that one can use as a meditation room, for yoga or relax. Right in front of it, in the outdoor area, is a whirlpool on a roof terrace with a view of the Dolomites. Immediately below, to the southeast, is the textile free area. The steam bath and the Finnish sauna are accessed through an anteroom with a large drinking fountain and shower facilities. While the steam-bath is located in a rather “introverted” position and directs the view to the water fountain and the sauna, which are more extroverted and open, with a view of the surrounding mystical woods.

photo_credit Alex Filz
Alex Filz

MEETING, TOUCHING, BEGUILING
The second building, which unlike its counterpart has three floors, hosts the 15 suites of the new hotel. The two buildings are connected to each other via an underground corridor, and here too the division of the color worlds takes a 90-degree turn: What was horizontal is now vertical. There is a deliberate psychological effect in play here, because from here on you can immerse your whole body in the respective area, which has an overall relaxing effect.

photo_credit Alex Filz
Alex Filz

Basically, there are three types of rooms, which differ in size and furnishings. The 35- square-meter (377 sq ft) junior suites open up from the entrance and bathroom area with freestanding washbasin and open shower into the living area with desk, private bar, and lounge, and finally into the sleeping area, which flows out into a 15-square-meter (161 sq ft) terrace or balcony. The idea of giving the bed in particular this unique position in the room with an expansive view is based on the famous idyll of the “bed in the cornfield.” The suites on the ground floor also have a private whirlpool on their terraces. The larger suites, each measuring 55-square-meters (592 sq ft), have an additional living room with a hanging double bed and open onto the magnificent mountain panoramas on both sides. Another highlight in the truest sense of the word is the Gallery Suite, where an internal staircase leads up to a living platform on the roof, where you can watch the sky through the opening in the roof.

photo_credit Alex Filz
Alex Filz

ENGAGING WITH THE COMPLEX
In terms of color division, no compromises are made in the suites either: about one third of their surface is blue, two thirds beige, where a certain blending of the areas takes place through the dynamics applied. The light, partly floating, linear furniture takes inspiration from the architecture and is divided ruthlessly into two. The walls are covered in fabric, almost dematerializing them with a surface that is not perceived as a wall.

photo_credit Alex Filz
Alex Filz

“We have carefully chosen the fabrics, woods and colors that play both with and against each other at the same time,” points out Patrick Gürtler.

Thus, the haptics that come into play here and a certain indefiniteness arouse curiosity and call to start a journey of discovery: With a cleverly staged changeability, which is created by the consistent linear clash of two deliberately selected colors, noa* gives guests the opportunity to have a unique spatial experience, which possibly goes far beyond the previously known.

photo_credit Alex Filz
Alex Filz
photo_credit Alex Filz
Alex Filz
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Aeon Hotel

Marca Corona as Manufacturers

For the reconversion of an old South Tyrolean farm into a luxury accommodation facility, Studio Noa* has put together an ambitious infrastructure project, creating the imposing complex Aeon Hotel which is, nevertheless, in harmony with the surrounding landscape.

 

The external wooden architecture has ultramodern volumes and wide windows that let in the light and offer a simply unique view for the 15 private suites, the panoramic swimming pool and the Luxury Spa.

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The design of the interiors is based entirely on decisive but balanced chromatic and material contrasts: the beige and blue tones, the wooden surfaces and the stone-effect stoneware interact between them, enhancing every environment.

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In the Wellness area, the heart of this family-run Luxury Resort, the floors and coverings in Stonecloud beige and blue stoneware enliven this chromatic dichotomy, paying tribute to the larch forests and starry skies of this area.

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Installed in the refined Trama finish, Marca Corona ceramics ensure maximum resistance to chemical products, hygiene and anti-slip safety, also in these areas with a constant presence of water. To cover the external panoramic swimming pool and Wellness terrace, it has been decided to opt for Stonecloud Dark in the structured version, even more resistant to stress and atmospheric agents.

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Project Credits
Manufacturers
NOA
Architects
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Products used in this project
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