The “Uncomfortable Angles” That Lead to Comfort
When we think about what it means to feel “comfortable” in our bodies,
we often overlook the possibility that what feels comfortable now may simply be poor posture we’ve grown accustomed to over time. In reality, it might not be “right,” just familiar.
A Space Where Comfort and Discomfort Coexist
To maintain correct and healthy posture, a degree of discomfort is often unavoidable. It takes steady, sustained effort, which seems paradoxical. And in many ways, this echoes the core philosophy of Pilates: reaching a true state of physical ease by consistently engaging and correcting underused muscles by stretching, aligning, and strengthening them.
Blank Pilates was designed to embody this paradox—sustained discomfort in pursuit of comfort. To that end, we added the overarching theme of “anon,” a Korean word that evokes a sense of quiet and peaceful comfort.
Our space, therefore, represents a place where the coexistence of discomfort and ease guides both body and mind toward a state of true calm and relaxation.
In line with this concept, the space integrates intentionally “uncomfortable” elements within an overall sense of tranquility.
Rounded pillars and a warm beige palette convey a soft, soothing atmosphere, while the angular design—drawn from Pilates movements—introduces intentional discomfort.
For example, a prominent mirror wall cuts diagonally through the space. This angular intervention disrupts the otherwise balanced ambiance, instilling a subtle sense of tension. It pushes the user to physically engage with the space in ways that defy conventional vertical and horizontal alignments.
Angles are also used in the design of storage elements for workout props. These were crafted at a slight incline rather than upright—providing more ergonomic access, blending form with functional ease.
Korean Elements, Refined for Comfort
In response to the client’s first request, we incorporated subtle Korean touches into the overall design. Before each session, clients enjoy a brief tea ceremony as part of the orientation. To support this, we created a Tea Stage—a dedicated space that features reclaimed wooden columns and carved stone, grounding the design with an artful sense of balance.
One notable detail is an oil burner stand reinterpreted from a traditional Korean candlestick. This object, envisioned from the early design stage, underwent numerous reinterpretations to harmonize seamlessly with the space.
Through such thoughtful refinements, we aimed to present Korean aesthetics in a light and approachable way—allowing users to enjoy cultural elements without feeling overwhelmed by their weight or formality.
That is all.
