Commissioned by the City of Montréal Situated at the core of the recently developed International Civil Aviation Organization Plaza (ICAO), Dendrites is the newest monumental public work by the artist Michel de Broin.
The word dendrite refers to the branched projections of a neuron, which propagate cerebral stimulation; the term is derived from the Greek Dendron, also the word for tree. Extending across both sides of Notre-Dame Street in the downtown core, the work is comprised of two sculptural stairways directly modeled on the neuron structure. Simultaneously evocative of massive tree trunks with their network of branches spreading out towards the surrounding cityscape, the trunklike elements are distinguished both by their respective sizes and unique sinuosities. Constructed of weathering steel, the piece takes on the ochre color of the tree trunks it references, while simultaneously alluding to the industrial past of the central urban site and its iron infrastructure. Through the natural process of oxidation, the sculpture’s steel surface undergoes a microscopic crystallization of iron particles recalling the formation of dendrites. This dynamic process creates a nuanced parallel between the form of the stairway and its underlying material, and can also be read as analogous to the ever changing form of the networked city surrounding it.
Recontextualized in this new sculptural configuration, the underlying stairways still function as circulatory structures allowing for the movement of people while also beckoning towards an innate human desire for vertical ascension; the urge to reach the highest branch of a tree or peak a mountain in order to contemplate a new horizon. Dendrites offers such an experience, allowing the public the opportunity to climb its branches and glimpse an alternative view.
Dendrites encourages climbing through a network of alternate possible routes. When a passer-by ascends the stairs they consistently face a bifurcation, and a decision must ensue. An apt metaphor is found in the way thoughts are formed in the human brain through the transmission of electrical impulses within a larger network of neuronal dendrites; much like the climber in the sculpture discovering the structures of his surrounding environment. From one end of the work to the other — like a neural impulse traveling across the brain — the walker climbs the stairs and ventures into the sculpture, emerging on the other side with a new perspective.
The redevelopment of this originally heavy trafficked site displaced the car as its central focus through the creation of a new path, green space, and meeting point designed to be frequented by pedestrians and cyclists alike. Dendrites direct- ly responds to this integrated urban vision - offering passersby the opportunity for active participation. By climbing in the branches, they animate the sculpture much like the leaves of a tree Michel de Broin’s work examines the intersections between tech- nological, biological, and physical systems. Through a process of recontextualization and redirection, he challenges the ostensible use-value and conventional associations of familiar objects and symbols, infusing them with new meanings. In doing so, his public works strive to augment our perception and deepen the experi- ence of our environment.
Public art works and commissions include Dendrites, 2017, Mon- treal; Threshold, 2017, Montréal; Interlude, 2016, Québec city; Bloom, 2015, Calgary; Possibilities, 2012, Mississauga; Inter- lace, 2012, Changwong; Majestic, 2011, New Orleans; Revolu- tion, 2010, Rennes; Arc, Montréal, 2009; La maîtresse de la Tour Eiffel, 2009, Paris; Overflow, 2008, Toronto; Encircling, Christ- church, 2006; Shared Propulsion Car, 2005, New York and 2007, Toronto; Révolutions, 2003, Parc Maisonneuve-Cartier, Montréal.
He has previously has solo exhibitions at the Musée d’art contem- porain de Montréal, the Musée d’art contemporain Val-de-Marne, France; the Künstlerhaus Bethanien, Berlin; The Plug-In Insti- tute of Contemporary Art, Winnipeg, and Villa Merkel, Esslingen, Germany. His work is held in several national and international museum and public collections, including the National Gallery of Canada; the Art Gallery of Ontario; the Musée des beaux-arts de Montréal; The City of Montreal; FRAC Poitou Charentes, France, and The Neuer Berliner Kunstverein, Germany.
Credits
Conception - Michel de Broin
Fabrication - Lafontaine Iron Werks Inc. and Toque Innovations
Engineer - Quantum Engineering Inc
Architect - Gabriel Rousseau
