Not only the name of the house is an allusion to the Villa Foscari La Malcontenta, rather its design is driven by spatial interests deriving from engagement with Palladio’s work. It is centred on a visual equilibrium of the volume, on the interlocking types between interior and exterior space, on the interweaving of wall and buttresses, and on a hierarchization of the facades, formulatedas the reaction of the building to its surroundings.An additional essential concern lies in balancing the interior spaces. Asin Palladian corridor-free systems, itis the square rectangles that are commonly related to each other. These “cells” areclearly experienced as separate units even thoughoptically they are mostly laterally spanned with each other by largesliding-door openings. Similarly to the façade, the idea is centred on a negotiation of stillness and dynamic, openness and closedness, degrees of isolation and interlocking. By this meansthe relations vary slightly from floor to floor.

The multi-family house with aSwiss Minergie Standard label is located in a zone where the building regulations prescribe pitched roofs. It containseleven apartments (2½ to 3½ rooms) and a commercial premises.

Constructively seen the house is a solid construction with exterior insulation, plastered and partially visually reinforced with sound-absorbing clinker bricks filled with cement. These bricks are used as a secondary ornament to articulate the facade, and additionally appear wherever people come into tactile contact with the facades.