The property summarized what we find in our city every day: layers, various materials, deletions and additions, pieces of deactivated installations, marks of use and time, and a wide void. All that, in the general conception of professional routine, is usually admitted as bad, avoidable, changeable in design. All this is present in the six faces of the parallelepipedal volume of its interior's seemingly nothing.

As a result, we have constructive elements that permeate between the popular and the erudite, between preexistence and conception, neutrality and protagonism, grounding and suspension. Instead of intervening, the proposal of organization - in the sense of accepting too little and imposing itself in relation to the pre-existent in the building - of these orthogonal visual plans resulted in what would be the party of the project: absence.

A box with a ubiquitous void was as if it conforms to the space. being that the program destined for this space is the attendance to the public, a station of work - island - was positioned, in an isolated and central way, for the finalization of the dishes. we have, therefore, the minimum element flexion. The textures and features, like the visible components of the landscape, were balanced by the chromatic control, the punctuality of furniture, and the lightness/suspension of the structures.

In other words, the agency - visual and physical - of this massive absence is what makes us think that this is an architecture project of the invisible. A parallel between the Archigram's on-off, abstract and concrete, the binary polar combination in which one reinforces the other. Thus, conceptually, the project is placed among the most diverse dialectics - tensions - such as the non-separation of the bathroom for clients, which is just one, 'gender'.

An action that is discussed with the everyday materials of the craft, which touches the popular construction, which develops from the pottery and metal - would not these be the materialities of the ordinary image of a barbecue? - in a poetical thesis and antithesis between the industrial and technological equipment of service and the personal handling in the operations of preparation, in addition to being called for a spectacle of the forms. Or, as Peter Cook would say, maybe 'we did seemingly nothing’.

What was the brief?
Conceptually, the project is placed between the most diverse dialectics – tensions. in its materiality, coming from the idea of ​​a 'barbecue place', essentially there are clay and metal. a poetic thesis and antithesis between industrial and technological service equipment and personal handling in preparation operations.

What were the key challenges?
In terms of space, the main intention of the project was the organization of the void, the absence, and the proposition only of the essential structures for its operation – for reasons of agility of execution and reduction of expenses.

What materials did you choose and why?
An action that is discussed with the everyday materials of the craft, which touches the popular construction, which develops from the pottery and metal - would not these be the materialities of the ordinary image of a barbecue? - in a poetical thesis and antithesis between the industrial and technological equipment of service and the personal handling in the operations of preparation, in addition to being called for a spectacle of the forms.

Material Used:
1. Manufacturers: Arauco, Brilia, DayBrasil, Deca, Docol, Elgin, Industria Moderna, JBL, Quaker Decor, Rubber Plastic, Suvinil
2. Demolition / Construction: Ricardo Pereira
3. Electrical Installations: FG Fabrício Elétrica
4. Frames And Glass: Forte Essquadrias 
5. General Painting: Jaime
6. Locksmiths: Tigrão Serralheria
7. Industrial Painting: Toninho Pinturas Industriais
8. Air Conditioning: Climatizar
9. Stones: Marmoria Cappelin
10. Exhaustion: MS Exaustec
11. Visual Communication: Regina Comunicação Visual
12. Sound Reinforcement: Tektron Automação Residencial
13. Fabrics: Thrama Decorações
14. Lighting: AltaDue Iluminação
15. Facade cladding: Braided Steel Screen
16. Flooring: Concrete
17. Doors: Aluminium Composite Material
18. Windows: Glass
19. Roofing: Wood