In Calabria, in Reggio, Giorgia’s takes shape with the new project by Nick Maltese Studio in collaboration with architect Sebastiano Fabio Latella. An intervention that uses interior design as a tool for research and experimentation, crafted through artisanal processes with the aim of stimulating the local economy within a framework of territorial sustainability.
The project stems from a radical yet controlled gesture: conceiving the interior as a habitable monochrome intended as an act of identity-building. Giorgia’s becomes the embodiment of an imaginary female figure, a presence that moves through the space and defines it. Like a color that does not merely coat a surface, but alters perception, rhythm, and time. The inspiration looks to New York venues of the 1930s, to that idea of nocturnal, intimate elegance in which light does not dominate but accompanies. This reference translates into the desire to create a soft, diffused atmosphere capable of ordering the space and making it legible without sacrificing sensory depth. Nick Maltese Studio works with color as if it were a structural material.
The red resin floor, deliberately discontinuous, behaves like a liquid pour frozen in motion: a continuous field that welcomes the body and accompanies its movement. It is not a neutral backdrop, but an active plane that absorbs and returns light. The walls, treated with high-gloss, highly reflective finishes achieved through automotive-derived painting cycles, amplify chromatic depth, making the red unstable, vibrant, almost mirror-like.
