The project offers structure through the use of a courtyard rooted in both the site itself and its surroundings architectures — This court constitutes the bare essence of the building.
On the one hand the site of Vigla is characterized by its numerous traditional sheepfolds; composed of simple rectangular volumes adjoined to small courtyards that allow to increase the living space of the animals by associating the interior space to a larger outside space.
On the other hand, the place itself is defined by a not very common platitude that exposes the plateau to strong winds — giving all the more relevance to the architecture of the surroundings sheepfolds.
The use of a courtyard around which the building could be articulated allows to create a set of solid formal coherence, but it also helps to protect from strong winds in order to extend the relatively reduced interior living space to a much more generous and less expensive outdoor area.
Following that logic, each element of the project is materialized by a simple rectangular volume connected directly to the courtyard without secondary circulation. Between — and through — these volumes, openings toward the landscape articulate the relation of the courtyard to its surroundings.
The stones used to build the walls were extracted from the ground while digging the foundations and the underground cistern that collects rainwater. Then associated with the necessary concrete elements, they together develop a simple mineral architectural language, reinforcing the horizontality of the building and the unity of the courtyard.
Team:
Architecture office: OFFICE MUTO / Architecte : Alexandre Pavlidis
Photographer: Simone Bossi, Alexandre Pavlidis
Materials Used:
Brdr. Krüger: Lounge Chair, HB Lounge Chair
Carl Hansen & Søn: Lounge Chair, MG501 Cuba Chair
Fritz Hansen: Chair, PK24
Mattiazzi: Sofa, Clerici
