Porthmadog House is a 475-square-metre, two-storey replacement home set on a sloping coastal site in North Wales, overlooking an estuary of the Irish Sea. Designed as a long-term home for a recently retired couple, the project brings the owners back to their roots.
The site was acquired at the end of 2019 after five years of research and preparation. The existing house, which had stood derelict for 15 years, had once belonged to a childhood friend of the clients. The decision to buy the site was based on both personal connection and the opportunity for a new beginning.
The brief called for a home capable of responding to the exposed coastal conditions while remaining warm, comfortable, and closely connected to its setting. Maximising views of the sea and estuary was a priority, alongside creating a sense of shelter and permanence. Beyond a small number of specific requests — including a snug, a gym, and social spaces oriented towards the panoramic outlook — the clients entrusted the overall design direction to Magnus Ström, Founder of Ström Architects.
Site response and form
Ström Architects analysed wind patterns, rainfall, and sightlines to inform the building’s configuration. Located in an exposed setting in North Wales, the house opens towards the Irish Sea while drawing protection from the inland landscape.
The composition is formed by two slate-clad ground-floor volumes and a corten-clad first floor. The lower volumes are positioned to act as windbreaks, shaping a sheltered entrance court and orientating the principal living spaces towards uninterrupted views. Constructed from locally quarried Welsh slate sourced from a quarry approximately 30 minutes from the site, the ground floor anchors the building within its exposed setting while maintaining continuity between exterior and interior surfaces.
Above, the corten-clad first floor pivots towards the sea. Steel fins frame the angled form, providing weather protection, solar shading, and privacy without obstructing views. The upper structure spans across the lower volumes, creating sheltered terraces beneath. The structural design was developed in collaboration with Jensen Hunt Design to ensure resilience in the coastal environment.
Spatial organisation
At ground level, two slate-clad volumes contain enclosed functions, including the snug, gym, and plant room. Between them, the principal living spaces open out through floor-to-ceiling glazing. A courtyard, informed by Japanese spatial principles, introduces natural light into the centre of the plan and provides a calm setting for the gym.
The street-facing elevation remains enclosed and private, while the estuary-facing side opens towards the landscape. The house includes an open-plan kitchen, dining, and living area, a cinema room, and three additional bedrooms for the couple’s children.
On the upper floor, the principal bedroom is positioned on one side of the plan, with guest bedrooms on the opposite side. A central void, staircase, and secondary living room organise the space between them, allowing light and views to extend through the depth of the house.
Material strategy and ageing
Material selection establishes a dialogue between local geology and industrial history. Welsh slate and corten steel reference the region’s slate-mining and ironworking traditions through contemporary construction.
Locally quarried slate grounds the building in its geological context. The slate contains iron, which oxidises over time, bringing warmer tones that correspond with the surface of the corten above. Weathering materials, including corten steel and cedar, were selected for durability and their capacity to change in the coastal climate. Grey-treated cedar gradually silvers, completing a restrained material palette.
“We wanted to create a home that’s beautiful on day one but becomes even more compelling over time,” said Magnus Ström. “The material palette was chosen specifically to achieve that evolution. Welsh slate, corten steel, and cedar were selected not only for their durability but for how they age, settling deeper into the landscape. This combination is rooted in the history and context of Porthmadog. Unlike many houses in the area, often white and interchangeable, this home is designed specifically for its location.”
Interior continuity and inhabitation
Continuity between exterior and interior was central to the design. Slate extends from the external walls into the interior spaces, reinforcing material consistency. Polished concrete flooring grounds the main living areas, while engineered timber introduces warmth. Glazing spans the estuary-facing elevation, maintaining visual connection to the landscape while addressing performance requirements in the exposed coastal climate.
Bespoke oak joinery is integrated throughout the kitchen, snug, and bedrooms. A restrained natural palette allows the surrounding views to remain prominent. Durable, low-maintenance materials support the home’s long-term resilience.
At night, the lighting design alters the character of the house. Viewed from outside, the illuminated interior has been compared by the architect to Edward Hopper’s Nighthawks, with the layered composition of light and shadow revealing the internal arrangement.
For Ström Architects, the idea of “new luxury” is defined by calm and longevity rather than ostentation. Space, light, and acoustic comfort take precedence, supported by tactility and craftsmanship. Heavy slate walls provide shelter and privacy, allowing the principal living areas to open towards the bay through expansive glazing. More enclosed spaces are contained within the protected ground-floor volumes, while shared areas engage directly with the wider landscape.
Delivering both architecture and interior design, Ström Architects developed a fully integrated home shaped by its site, material context, and patterns of daily life.