Nestled within the verdant expanse of the Archstoyanie Land Art Festival, the Resonance Pavilion by BQ Studio stood as a powerful statement on the potential of reclaimed materials and the impact of sustainable design. Conceived during a time when the construction industry generates waste equivalent to 226 Great Pyramids of Giza annually, this pavilion redefines how we approach architectural innovation.
Constructed entirely from repurposed materials—scaffolding, insulation, and reclaimed pipes—Resonance challenges the conventional view of waste, transforming discarded elements into a striking architectural centerpiece. The skeletal frame of scaffolding, once temporary, now serves as a permanent symbol of resilience and ingenuity.
Overhead, a tented roof stretches over the space, creating an ephemeral yet protective canopy that dances with the wind. This design element synthesizes past and present, sheltering the activities within while dynamically engaging with the surrounding natural elements.
At the heart of the pavilion, a towering stele crafted from reclaimed pipes anchors the space with a sense of purpose and meaning. This central feature, both literal and metaphorical, embodies the project’s mission to elevate what is often overlooked and to inspire new ways of thinking about materiality and space. It serves as both a visual focal point and a conceptual foundation for the entire structure.
By day, Resonance hosted workshops and discussions on sustainability and creative reuse. By night, under the play of vibrant lighting, it transforms into a dynamic cultural hub—a dance floor where the energy of the festival reaches its peak. This seamless shift from day to night highlighted the pavilion’s versatility, showcasing its ability to function as a multi-purpose venue.
The Resonance Pavilion’s design emphasizes modularity and adaptability, making it easy to assemble, disassemble, and reconfigure in various settings. This approach aligns with the principles of the circular economy, where materials and structures are reused rather than discarded, extending the pavilion’s utility far beyond the festival. This concept points to a potential new direction in urban architecture—one that is not only cost-effective and environmentally sustainable but also flexible enough to meet the changing needs of urban spaces.
The pavilion’s afterlife is equally thoughtful—it will continue to serve the community as a meanwhile-use object in a residential complex.
