Collecting the Chemical Effects of Mathematics and Art
It uses limited signs as creative codes to express the free imagination and mystery of art on the canvas. From Cubism to Miró’s surrealism, it liberates the traditional perspective of color, text and line motion. From this, it conceives the layout of a space: The lamps crossing the axis are like sharp and neat brushstrokes. The monochrome wall or the blurred background of the glass is a quiet base map of surrealism, or fragments of concrete visual experience, which have been twisted and reorganized into images. It is a 3D creation stretched from graphic art and shows the interactive existence of volume and shadow.
Exhibition, a Flowing Way of Viewing
Responsible for the water form design of the office of this financial investment company, it attempts to eliminate the standard division of office seats and release space to the sitting area and aisle. Light and layered, it depicts functional components such as countertops and bar counters as geometric blocks. The dividing line between the wall and the cabinet is like a hidden line in the picture, which sets off the lamp and color-block cabinet as the main brushstroke. Cubist’s multi-perspective creative symbols put together a neutral field that is simple and pure, broad and free.
We don’t want the entrance to be fully visible at a glance, so we use two white walls to form a tapered path to each other, bringing dramatic tension through the space contrast process of compressing and enlarging. The edge of the wall is polished with powerful arc chamfer, changing it into an artistic preface to the stack of geometric volumes. It breaks the inertia of the standard separated space, frees up a more free plane inside, and a small amount of neatly shaped furniture continues the geometric vocabulary. It seems to be the environmental attributes of the art gallery, making the existing functional structure retreats behind the pure surface. The vision is naturally focused on the noisy and quiet artwork. Even if it is still, it can burst out a powerful narrative power.
Overlap, a Pure Geometric Language
The first thing that catches the eye is the neat and symmetrical structure picture at both ends. We regard the offices of the two partners as a theme exhibition room facing each other, and construct a hazy and psychedelic light transmission level with the different transparency of engraved glass and transparent glass. There are two lockers in each compartment to simulate monochrome paintings of modernism. The geometric color blocks shaded from the center to the outside float between the virtual and the reality, disassembling the viewer’s inertial perception of practicality/decoration, lightness/heaviness and even viewing direction, and reorganizing the perception experience of the rational stack of volume.
Symmetrical subjects make people look for differences in subtleties. In addition to the sharp contrast of geometric color blocks, we continue the creative main axis of “overlap” to manage the individuality of details. There is a black-and-white photo with a frame fixed to the glass wall beside the door of the two offices. Through the traditional “multiple exposure” technique of traditional film photography, the portraits of the partners from different angles are transferred to the acrylic board. They are stacked to form images, like a silhouette at a moment of time, breaking through the familiar use of the object, giving the simple image an artistic context, and adding the interest of appreciation.
Art, the Face-to-face Design of Old and New Experience
Building the shape with objects, it constructs objects through stacking and assembling the most basic outline and colors of the materials. This is the trajectory of exhibits that we constantly create everywhere in the room. The door is shaded from top to bottom with blurred red gradients, like the repeated brushstrokes on the canvas; the rough background of the plaster-colored toilet, and the saturated bright blue are the extension of the geometric civilization; the neat metal materials use black and red contrast to form a commodity shelf, and each component adheres to the most basic and simple shape, allowing the modernist arrangement to give them a fresh artistic form.
In addition to homogeneous daylight brought by floor-to-ceiling windows through the curtains, custom-made lamps also replace complicated decorations. Square and round, clean and light, mysterious lines connect the floating color blocks scattered in the room, just like the rhythm of music accompaniment, enriching the emotional impression in the geometric shape.
It uses Cubist art as its call to dissolve the functional meaning of building materials into a purely visual form. It pulls away from the familiar interpretation path of the senses, experiences the simplified retelling of the codes, and becomes a space work that can travel through time to collect resonance.
