Cardboard Box Factory

Cardboard Box Factory
Mariela Apollonio

Cardboard Box Factory

ARCHITECTURE THAT IS NOT SEEN

"Form is not the aim of our work, but only the result. Form as an aim, inevitably results in mere formalism."
Mies van der Rohe, 1923

In the age of the image, of the dizzying generation, editing, transmission, communication and dissemination of images, it might be convenient to remember with The Little Prince that many important things, perhaps the most important ones, are not seen:
"- The essential is invisible to the eyes."

photo_credit Mariela Apollonio
Mariela Apollonio
photo_credit Mariela Apollonio
Mariela Apollonio

There is a fundamental basis in the efficiency of a factory of this type: having a large work surface. A large FLAT, clear and orderly plane is the foundation of the efficiency of the process: it facilitates communication between different high-speed machines fed from what was produced by any of the above. It was the first achievement of the project. It doesn't show, but it wasn't like that before. (Like all those cables that crossed the property: you don't see them, but it wasn't like that before.)

photo_credit Mariela Apollonio
Mariela Apollonio
photo_credit Mariela Apollonio
Mariela Apollonio

A "Cardboard Box Factory" IS a huge, lightning-fast printer. Huge, in scale and numbers. It feeds on paper reels, like our plotters, but about 2.5m high x 2.5 meters in diameter, of about 2.5 tons each. In the corrugator it takes thickness. It generates about 250,000 M2 / day of different corrugated cardboard. And if the previous machines transformed them at about 40,000 boxes/day, the new one can reach 20,000 boxes/hour.

photo_credit Mariela Apollonio
Mariela Apollonio
photo_credit Mariela Apollonio
Mariela Apollonio

Our main performance came down to ORDERING where things, people and flows should be —maintaining and prolonging the wonderful original 25x10M GRID. You can't see that either, but the rigidity of the checkerboard is what allows for flexibility in the game. Maintaining the chessboard has allowed the pieces to move freely during various project versions. And enables to continue doing so in the future.

photo_credit Mariela Apollonio
Mariela Apollonio
photo_credit Mariela Apollonio
Mariela Apollonio

The project studied the expansion of a factory in full production. The work too. "Between production and construction, premium production." That was a motto of the property that clarified the solution to the potential conflicts. In fact, all of our project and construction work could look like this: a simple wrap on the new large box making machine delicately leveled on the new flat plane. And, as in Saint-Exupéry's drawings, where some see a hat, others an elephant.

photo_credit Mariela Apollonio
Mariela Apollonio
photo_credit Mariela Apollonio
Mariela Apollonio

Team:

Architects: ESTUDIO ALBERTO BURGOS, Javier Cortina, Teresa Carrau.

Promoter: TEMOCA.

Engineering: Jose Luis Sobes, Jose Luis Perez.

Image: Gabriel Fabra

Builder: Los Serranos. Eiffage Infrastructures.

Structures: Martinez-Terres. Javier del Rio.

Photography: Mariela Apollonio

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Materials Used:

Joinery: Technal.

Metal doors: Novoferm Alsal

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