Church of St. Wenceslas

Church of St. Wenceslas

Architect
Atelier Štěpán
Location
Sazovice, Czech Republic
Project Year
2017
Category
Churches
Stories By
Atelier Štěpán

BoysPlayNice
Product Spec Sheet

ElementBrand
Cast floorCemflow
Manufacturer of luminairesDEOS.CZ, s.r.o.
Interior doorsDorma, M&T
OrgansKansky a Brachtl
Pewsina nave and doorsNabytek Mrazek
Nave / acoustic ceilingNovatop Acoustic

Product Spec Sheet
Cast floor
by Cemflow
Manufacturer of luminaires
Interior doors
Organs
Pewsina nave and doors
Nave / acoustic ceiling

Church of St. Wenceslas

Atelier Štěpán as Architects

Church of St. Wenceslas in Sazovice is a modern rotunda and contemporary architecture built on conservative principles from Moravian architectural office Atelier Štěpán. The idea of building a church in Sazovice dates from the interwar period. In 2011 the people ofSazovice brought the idea again and founded the association of church building. The first important task was to find a particular location, which would help to amplify the spiritual sense of church. According to the masterplan, we discovered 4 possible sites for the building. Only one of them was in the heart of Sazovice perfectly linked with the surrounding building structure and its social connections.


The surroundingscreate a bay for the church that brings great importance to this place for following generations. Searching for the right form of the church started with a simple cylinder, which became a perfect volume for this place. The circle has always been understood as a divine symbol,in contrast to the worldly rectangle. The church establishes the focal point of the village, in the intersections of main directions and it makes you feel it’s a sacred place. The building refers to rotundas built in St. Wenceslas’time in 10th century. He founded a rotunda, that has, according to the historical sources, similar diameter to the church in Sazovice. The old rotunda was rebuilt into a new gothic square shapedchapel within the Prague cathedral. We circumscribed a circle around the square and continued to design with the same proportions and positioning of altar, entrance and stairs. The relics of St. Wenceslas are in the Prague chapel and newly in the altar in Sazovice. During the construction, we discovered a connection between the both buildings. While standing in front of the altar and looking through the main window, designed by intuition, you are watching in the direction of St. Wenceslas chapel. This fact supportsthe rightness of the design and may be a result of a contribution offorce majeure.


“My aim was to dematerialize the building. When you observe the volume, you feel the lightness made by design principle of tapering the walls into tiny lines. It’s like cutting a paper cylinder and exploring its possibilities. I created the windows by pushing and pulling the cuts and letting the light glide softly on the walls.I believe there is something or better Somebody behind the material world. In Sazovice I tried to find it through the volume and defined space. As an architect, I explore the space and its impact on people. The church should influence people’s mind, whether they understand it consciously or subconsciously. This is the reflection of something divine in the volume, defined space and something what is behind the walls. The church invites us inside and provides a sense of quietness and peace. You can experience being alone with God if you want. The interior is very personal and it’s better to come and live it out.”


The interior is poeticaly minimalistic with modest decoration. Historical churchesare full of visual information – the entire story is written in paintings, sculptures, in decorations. For example, interior in Baroque church was completely descriptive to give illiterate people an idea about Jesus’ life. Nowadays we are overwhelmed with information and we tend to search for a quiet place of meditation and realizing own inner being. To support the feeling, you have no contact with the exterior. The windows are embedded in the wall cuts and the light illuminate only the presbytery with altar. It evokes a safe shelter and when you raise your eyes up you see the main skylight. It’s transforming from a triangle to a circle, the God's eye.


The altar is a bronze shell in a simple organic shape with a perfect surface symbolizing the God’s touch (known from Sistine Chapel in fresco painting by Michelangelo). During the creative process, I explored the contact of masses, which is similar to the human contact. The touch creates a movement and it is a beginning of a new energy. The moment of the touch is concentrated in a point like a tangent to the circle. And the energy is flowing from one to another and it finally creates connection that brings a message. It reminds me of the rituals performed during confirmation,laying on of hands during sanctification or forwarding messages that have been being unfolded for two millennia since Jesus came.


Contemporary Rotunda by Atelier Štěpán

BoysPlayNice as Photographers

Church of St. Wenceslas in Sazovice is a modern rotunda and contemporary architecture built on conservative principles from Moravian architectural office Atelier Štěpán. The idea of building a church in Sazovice dates from the interwar period. In 2011 the people of Sazovice brought the idea again and founded the association of church building. The first important task was to find a particular location, which would help to amplify the spiritual sense of church. According to the masterplan, we discovered 4 possible sites for the building. Only one of them was in the heart of Sazovice perfectly linked with the surrounding building structure and its social connections.


The surroundings create a bay for the church that brings great importance to this place for following generations. Searching for the right form of the church started with a simple cylinder, which became a perfect volume for this place. The circle has always been understood as a divine symbol, in contrast to the worldly rectangle. The church establishes the focal point of the village, in the intersections of main directions and it makes you feel it’s a sacred place. The building refers to rotundas built in St. Wenceslas’ time in 10th century. He founded a rotunda, that has, according to the historical sources, similar diameter to the church in Sazovice. The old rotunda was rebuilt into a new gothic square shaped chapel within the Prague cathedral. We circumscribed a circle around the square and continued to design with the same proportions and positioning of altar, entrance and stairs. The relics of St. Wenceslas are in the Prague chapel and newly in the altar in Sazovice. During the construction, we discovered a connection between the both buildings. While standing in front of the altar and looking through the main window, designed by intuition, you are watching in the direction of St. Wenceslas chapel. This fact supports the rightness of the design and may be a result of a contribution of force majeure.


“My aim was to dematerialize the building. When you observe the volume, you feel the lightness made by design principle of tapering the walls into tiny lines. It’s like cutting a paper cylinder and exploring its possibilities. I created the windows by pushing and pulling the cuts and letting the light glide softly on the walls. I believe there is something or better Somebody behind the material world. In Sazovice I tried to find it through the volume and defined space. As an architect, I explore the space and its impact on people. The church should influence people’s mind, whether they understand it consciously or subconsciously. This is the reflection of something divine in the volume, defined space and something what is behind the walls. The church invites us inside and provides a sense of quietness and peace. You can experience being alone with God if you want. The interior is very personal and it’s better to come and live it out.”


The interior is poeticaly minimalistic with modest decoration. Historical churches are full of visual information – the entire story is written in paintings, sculptures, in decorations. For example, interior in Baroque church was completely descriptive to give illiterate people an idea about Jesus’ life. Nowadays we are overwhelmed with information and we tend to search for a quiet place of meditation and realizing own inner being. The altar is a bronze shell in a simple organic shape with a perfect surface symbolizing the God’s touch (known from Sistine Chapel in fresco painting by Michelangelo). During the creative process, I explored the contact of masses, which is similar to the human contact. The touch creates a movement and it is a beginning of a new energy. The moment of the touch is concentrated in a point like a tangent to the circle. And the energy is flowing from one to another and it finally creates connection that brings a message. It reminds me of the rituals performed during confirmation, laying on of hands during sanctification or forwarding messages that have been being unfolded for two millennia since Jesus came.


Project Name: Church of St. Wenceslas Location: Sazovice Author: Marek Jan Štěpán / Atelier Štěpán Contact e-mail: marek@atelier-stepan.cz Cooperation: František Brychta, Jan Martínek, Tomáš Jurák, Jan Vodička, Hana Kristková Interior decoration: Vladimír Kokolia Photography: Jakub Skokan, Martin Tůma / BoysPlayNice www.boysplaynice.com Client: The Association of Church Building in Sazovice Contractor: Stavad s.r.o. Project: 2012–2015 Realization: 2015–2017 Area: 450 m2


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