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SOM PRESENTS VISION FOR GRAND CENTRAL’S NEXT 100 YEARS

Skidmore, Owings & Merrill LLP (SOM) presented its vision for “Grand Central’s Next 100” yesterday at the Municipal Art Society of New York’s third annual Summit for New York City. Led by partners Roger Duffy, FAIA, and T.J. Gottesdiener, FAIA, SOM’s design transforms the public spaces around Grand Central Terminal, creating new pedestrian corridors for increased circulation and visualizing innovative options for new public amenities.


The Municipal Art Society (MAS) challenged SOM to re-think the public spaces in and around Grand Central Terminal in celebration of the landmark’s centennial. The design challenge coincides with a rezoning proposal from the New York City Department of City Planning, which, if approved, would allow the development of new office towers in the area around Grand Central, thereby increasing the density around the station exponentially. The proposed zoning would also require developers to donate to a fund that would make improvements to the infrastructure in the area, including additional access points to the subway platforms and a pedestrian mall on Vanderbilt Avenue. Along with Foster + Partners and WXY Architecture + Urban Design, SOM was one of three architecture firms invited by MAS to present ideas about the future of Grand Central Terminal’s public realm.


SOM’s vision proposes three solutions, all of which provide improvements – both quantitative and qualitative – to the quality of public space around the station. The first solution alleviates pedestrian congestion at street level by restructuring Privately Owned Public Spaces (POPS) to create pedestrian corridors through multiple city blocks, connecting Grand Central to nearby urban attractors. The second is a condensing of the public realm through the creation of additional levels of public space that exist both above and below the existing spaces. These new strata would be funded privately but under public ownership - Privately Funded Public Space (PFPS). The third proposal creates an active, 24-hour precinct around Grand Central Terminal in the form of an iconic circular pedestrian observation deck, suspended above Grand Central, which reveals a full, 360-degree panorama of the city. This grand public space moves vertically, bringing people from the cornice of Grand Central to the pinnacle of New York City’s skyline. It is a gesture at the scale of the city that acts both as a spectacular experience as well as an iconic landmark and a symbol of a 21st-century New York City.


“Throughout the history of New York City, urban growth has been matched by grand civic gestures,” says Roger Duffy, Design Partner of SOM. “This balance between growth and civic response can be seen in examples such as the Commissioners’ Plan of 1811 which led to the gridded parceling of land, two zoning resolutions which recognized the potential for private development to shape the public realm and the creation of grand public place making such as Grand Central Terminal and the public parks of New York City. With the Department of City Planning’s proposed up-zoning of East Midtown and the anticipated completion of East Side Access in 2019, the city prepares itself for a new phase of urban growth. A consequence of this imminent growth in population density will be an increased demand for public space.”

WXY Architecture+Urban Design's vision for 'Grand Central's next 100'

WXY Architecture + Urban Design was one of three distinguished firms invited by New York City's Municipal Arts Society to create a vision for the future of the public areas around Grand Central Terminal and the surrounding East Midtown district. With deep experience in civic projects, the firm has proposed opening up more public space to city dwellers and visitors for enjoyment and reflection. The plan would also create inviting thoroughfares devoted to pedestrians and bicycle riders.


“New zoning rules should trigger real transportation links to public space. One way is to harness the untapped potential of Grand Central’s edges" says Claire Weisz, one of WXY's founding principals. "The plan for Midtown’s near future needs to make the Grand Central neighborhood a place people enjoy being in not just running through.”


WXY's proposal would create a striking new ground transportation hub, through the following interventions:


Transforming Vanderbilt Avenue into a pedestrian-only street, Creating new public spaces around the base of the MetLife building, Adapting the west side of the current Park Avenue Viaduct into an elevated pedestrian and bicycle path, with a glass floor and seasonal plantings, and Introducing a new tower, featuring "sky parks," on the west side of Grand Central Terminal. Focusing efforts along 42nd Street and Vanderbilt Avenue, the plan by WXY Architecture + Urban Design restores pedestrian-friendly amenities to what had been an automobile-centric urban layout. The pedestrian/auto hybrid strategy includes making Vanderbilt Avenue a pedestrian-only walkway. The west side of the Park Avenue viaduct would become an elevated promenade featuring tall grass plantings and glass paving -- a space for reflection hovering over the city bustle.


Combining walkable skylights with wide staircases and a multi-level approach, points of entry to the Grand Central area become unusual and gracious outdoor rooms that provide access and support to an expanded terminal city. Direct access to and links between the multiple subway and train lines -- including the new East Side Access/LIRR lines -- would be greatly expanded and improved.


Egress from the MetLife building's base would become visually striking and yet relaxing to use, with escalators transporting travelers into a cleared podium park. Some years after completion, visitors exiting via these escalators will have the experience of being greeted first by the park's grove of trees, a pleasant surprise in the Midtown East district. Surrounded by an active facade and a sky lobby above, the podium park presents an opportunity for a unique public event space.


WXY's plan also includes a proposed obelisk-shaped tower west of Grand Central Terminal. The tower's graceful, elongated pyramidal lines are broken at odd intervals by garden terraces that protrude like enormous window-box gardens, and feature seasonal plantings. The roof is likewise vegetated, reinforcing New York City's renewed commitment to finding and creating green spaces for the health and enjoyment of its citizens.

Brand description
WXY was founded in 1998 as Weisz + Yoes when Claire Weisz and Mark Yoes created a base for their collaborative architectural vision. Early projects were formally ambitious with tight budget and time constraints. The results were small, inventive buildings, including the pavilion for the Museum of Jewish Heritage and The House in the Springs. Focusing on change in the public realm, the firm created public landscapes on challenging sites and urban design plans for re-imagining infrastructure. A recycling center and a new type of sanitation garage, along with designs for security booths and interactive information centers expanded this focus. In 2009 the firm renamed itself WXY to reflect the ethos of the firm and the addition of a third partner, Layng Pew. Much of WXY’s work is about social and environmental transformation. Many commissions are initiated by the firm in collaboration with community, public, and private clients. Always deeply rooted in studies of the opportunities and limitations of the specific context, the firm’s work articulates emerging hybrid programs that reflect the complexities of contemporary life and create new armatures for social interaction. WXY is interested in the precision of design and the experimental nature of all forms of building. The firm’s recognition of the fundamentally cooperative and cross-disciplinary nature of contemporary design has sparked fruitful collaborations with new media designers, landscape designers, engineers, and visual artists, creating a rich palette and materiality, striking geometries, as well as the sometimes low-tech and other times cutting-edge sustainable technologies. With a Young Architects Award in 1998, the firm went on to receive several distinctions from the AIA and ASLA for the Battery Bosque and the Bronx Charter School for the Arts, among others. In 2006 the firm received the Chrysler/House Beautiful Innovative Designer Award in Architecture; a New York Designs Award from the Architecture League; and a top Honor Award from the Waterfront Center. In 2008 we received an AIA NYS Award of Merit for Kowsky Plaza and in 2009, a New York Designs award and an AIA NYS Urban Planning/Design Award of Excellence for the Battery Bosque. Most recently, the firm was named an Emerging Voice by the Architectural League and was awarded an AIA Interiors Award of Merit for the NYC Information Center. The firm has been successful in many international competitions, with a winning design for The Nanhe River Landscape Bridge in Xinjin County, China, and as a finalist in The Providence River Bridge, The Toronto Central Waterfront, The New York Aquarium Perimeter Competition and the Center for Architecture, among others. WXY’s work has been published both locally and internationally, most recently in 2010 New York Dozen and New Exhibition Design 02. The firm is certified as a women-owned business enterprise (WBE) by New York City, New York State, and The Port Authority of New York and New Jersey.
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