Garden design is a process of evolution, creating an arrangement that connects the inhabitant with the environment. Driven by a spirit of spatial innovation and guided by Gilles Deleuze’s theory of the "rhizome," the concept of "becoming-garden" seeks to deterritorialize the traditional garden, redefining it to evolve alongside the residential systems of modern architecture.

Situated in a villa district in the southern suburbs of Suzhou, the project addresses a dual spatial trap: the monotonous matrices of typical contemporary houses, and the rigid, historical formulas of traditional classical gardens. Both typologies, in their own ways, impose a sedentary, captured way of living—trapping inhabitants either within the walled isolation of modern house or the deeply coded, hierarchical layouts of the past. This oppressive ordering freezes the spontaneous flow of daily life and limits the creative vitality of the residents. To break free, the design adopts a nomadic strategy to transform the site. By deterritorializing both the modern residential plot and the traditional garden, the architecture replaces static, tree-like enclosures with a rhizomatic system of spatial flows. It dissolves rigid boundaries, turning a locked-in residence into an open, interconnected network—a contemporary garden-villa defined by the art of nomadism.

This conceptual shift manifests physically in the architectural strategy, which divides the program into four two-story volumes organized around a central courtyard. Rather than a single enclosure, these volumes act as nodes in a fluid network, connected by perimeter corridors and strategic pavilions that define a primary garden in the southeast. This layout establishes a dynamic spatial sequence: visitors enter from the northeast, transitioning through the corridors and the main garden before reaching the central courtyard. This interplay of inner and outer spaces creates an engaging promenade and a sophisticated sense of layering—a walk that encourages one to slow down and immerse themselves in the greenery, a feeling further enhanced by the transparent façade of the southern salon, which visually merges the interior with the landscape.

Beyond the horizontal plane, the design leverages the villa's verticality—spanning two floors and a basement—to cultivate a three-dimensional garden. A series of strategically placed courtyards and terraces on the second floor soften the transition between levels, dissolving the sense of a rigid floor plate. Similarly, the integration of an L-shaped swimming pool, a sunken courtyard, and a duplex volume transforms the basement from a subterranean utility into a luminous living space. By challenging the conventional notion of the "floor," the architecture extends this fluidity into the vertical dimension, creating a multi-dimensional experience that feels expansive and liberating.