TUINWIJK DIKSMUIDE

TUINWIJK DIKSMUIDE
Jessy van der Werff

Tuinwijk Diksmuide

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Located near the centre of Diksmuide, two sturdy blocks emphasise the entrance to the ‘Tuinwijk’ subdivision project. According to the local authorities, this is the last of the city’s infill projects, one on a large undeveloped site adjacent to an existing green, garden neighbourhood. The new subdivision consists of a traditional ensemble of (half)open and closed buildings: two-storey houses with side and front gardens where cars are parked. The first houses built in the neighbourhood reveal a streetscape dominated by cars, carports and garage doors, spread out along the new streets.

photo_credit Jessy van der Werff
Jessy van der Werff

The two social housing volumes, totalling 22 apartments, common bicycle parking, car park and carport, take a radically different approach to the question of housing demand. The apartments are very compactly stacked. This allows open space to be created between the buildings, which becomes public domain despite the relatively small plot size. This urban square on the western side of the subdivision, completes two other public zones located in the central and eastern parts of the neighbourhood.

photo_credit Jessy van der Werff
Jessy van der Werff

Each residential unit extends over several facades with beautiful views and has a spacious, sunny, private outdoor space. Although many apartments have the same layout, the clever window compositions are not repetitive. So not only is every apartment different, but the facades are also freer, less disciplined and not a literal interpretation off the interior layout. Detail: the brickwork of the facades is defined by their contours; a stretcher bond for the facades with flat roofs and a raking stretcher bond where the roof edge is angled. Both entrances intersect the building volume and are emphasised by pigeon blue window joinery, through which the stairwell becomes visible – one that is executed in the same materials as the balconies with balustrades. Inside, red-brown accents combined with wooden finishes lend warmth to the living spaces.

photo_credit Jessy van der Werff
Jessy van der Werff

The brick volumes rest on a concrete plinth, behind which the bicycle and car parking space are located. An important aspect of the design is the integration of bikes and cars into the building. How can we remove the car from the streetscape in the most well-considered way possible, without creating a dead space? Circular openings in the prefab concrete arouse curiosity in those passing by, and allow interaction between them and the residents. A dynamism and liveliness is created between private and public. It is an interesting exploration for how we can meet the need for parking and remove the cars from the streetscape in an original manner, without it being an excavated hole or an enclosed space. No blind walls, but a permeable boundary between public and private.

photo_credit Jessy van der Werff
Jessy van der Werff

Structurally, the project was a challenge: the buildings are supported by pile foundations, whereby a prior bomb detection took place for all 120 piles as the site is was full of explosives from World War I. Through this project, we touch on a number of important themes such as social housing, compact and affordable living, scarcity of building sites, the interaction between public and private spaces, and the issue of parking, all of which give the project an important social relevance.

photo_credit Jessy van der Werff
Jessy van der Werff
photo_credit Jessy van der Werff
Jessy van der Werff
photo_credit Jessy van der Werff
Jessy van der Werff
photo_credit Jessy van der Werff
Jessy van der Werff
photo_credit Jessy van der Werff
Jessy van der Werff
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