3d architectural visualization

Visualization by 100CGI Studio for a development group: The Vista Line, a premium 14,500 sq ft office floor in Miami's business district. Eight stills were delivered in 22 days and launched a pre-leasing campaign, so the floor was signing tenants before the builders had finished. 100CGI Studio 100CGI Studio A pre-leasing render is not decoration. It is the thing a tenant signs against, and that sets a narrow target: stand out in the Miami market without overselling. Push the styling and you promise a floor the build cannot deliver, which costs trust on the day someone walks the finished space. These images stay deliberately honest. 100CGI Studio 100CGI Studio The plate is wide and sunny. The brief was to carve it into... More

Visualization by 100CGI Studio for an investment fund: The Horizon Pinnacle, a 2,300 sq m flagship office in Riyadh's Al-Malqa district. Seven stills were delivered in 27 days for institutional leasing. 100CGI Studio 100CGI Studio One space decided the job. The building turns on a multi-level atrium with curved stairs, polished marble and sun falling through a skylight, and that atrium is what makes it read as a landmark or not. 100CGI Studio 100CGI Studio Skylight sun on polished marble is hard to get right. It blooms into flat white glare, or it turns the floor into a mirror that erases the stone, and either way the surface clarity that signals quality is gone. Each material was set up on its own, and the light was b... More

Visualization by 100CGI Studio for a private client: Project Solaria, a 20,000 sq ft tech headquarters in Miami. Nine stills were delivered in 20 days. 100CGI Studio 100CGI Studio 100CGI Studio The design leaves the building's shell exposed. Concrete columns and galvanized ductwork stay on show instead of disappearing above a suspended ceiling. Left alone, a raw shell like that goes cold, and that was the question the client needed answered: would it read as warm? 100CGI Studio 100CGI Studio 100CGI Studio The scheme answers with texture rather than cover, and the floor does much of the work. Light concrete tiling runs along the routes; white oak chevron appears where people stop and settle. The surface itself... More

Visualization by 100CGI Studio for an interior architecture practice: an exclusive lounge and bar inside One Za'abeel in Dubai. Five stills went to the board for sign-off after 20 days and 3 revision rounds. The brief is one of the harder ones a render engine gets, because nearly everything in the room reflects. The walls are brushed champagne gold. The floor is book-matched calacatta. Glass display pavilions stand in the space, and the bar is a circular block of white onyx. Floor-to-ceiling glazing pours daylight across all of it. 100CGI Studio 100CGI Studio Each of those surfaces fails in its own way. Too little control and the room turns into a flat artificial mirror; too much light and it becomes a noisy field of blown highl... More

Visualization by 100CGI Studio for a design consultancy: The Lumina Workspace, a 1,700 sq m office over several floors in Dublin's Silicon Docks. Six stills were delivered in 30 days, and the set did three jobs before fit-out: testing how people move through the floors, checking a layered lighting design, and giving procurement something firm to price. 100CGI Studio 100CGI Studio The design is built on contrast. Exposed concrete and structural metal sit against warm oak and fluted glass, and two of those surfaces behave in opposite ways. Matte micro-cement swallows light; fluted glass throws it back in streaks. With a careless lighting rig the floor turns muddy and the partitions bloom. 100CGI Studio 100CGI Studio Each... More

Visualization by 100CGI Studio of a private-island resort in the Seychelles: eight masterplan and hero views for investor meetings and off-plan villa sales, delivered in 20 days with three revision rounds. A remote site comes with almost no survey material, so the first job was reconstructing the island itself. The sources were satellite imagery, drone frames where they existed, sun and tide data, and photographs of the vegetation that actually grows there. A palm pulled from a generic library reads false at a glance. 100CGI Studio 100CGI Studio 100CGI Studio 100CGI Studio On a site like this the landscape is the product. Most of the 20 days went into organic work: terrain, planting density, the way light scatters thro... More

Visualization by 100CGI Studio for an interior design firm: Veridian Capital Partners, a 1,000 sq m private-wealth headquarters in Riyadh's King Abdullah Financial District. Eight stills were delivered in 22 days, and the set replaced a physical mock-up room. 100CGI Studio 100CGI Studio 100CGI Studio Premium materials do not tell the truth flat. Figured marble, brushed bronze and textured acoustic fabric say nothing useful on a sample card. The board had to see how they sit together, how a double-height volume flows, and how Riyadh daylight lands against warm interior light. A mock-up answers that slowly and expensively; renders answered it in weeks. 100CGI Studio 100CGI Studio The hardest surface was the signatur... More

Visualization by 100CGI Studio for an institutional developer: The Tuwaiq Hub, a 1,200 sq m office floor in Riyadh's Al-Narjis district. Eight stills were delivered in 12 days, as speculative work made to help let the space. 100CGI Studio 100CGI Studio 100CGI Studio A bare shell and a tenant's operational list sit a long way apart, and that gap is what keeps speculative space empty. An occupier cannot easily picture how a deep plate holds focus desks, a company town hall and private lounges at the same time while still pulling daylight off the glass envelope. 100CGI Studio 100CGI Studio So the set is a zoning argument rather than a styling exercise. Concrete and micro-cement mark the routes, slatted timber lines t... More

Visualization by 100CGI Studio for a private client: The Ormond Foundry, a century-old industrial building in Dublin converted into an 800 sq m corporate headquarters. Twelve stills were delivered in 15 days. The brief was to sell the contrast rather than smooth it away. Old brick and new glass meet along a visible seam, and that seam is the selling point of the conversion. 100CGI Studio 100CGI Studio 100CGI Studio Everything in the scheme answers to the exposed red brick, and old Dublin brick is the hardest thing in the room to render: rough, light-absorbing, the opposite of the crisp glass standing in front of it. Three surfaces had to read at once, matte brick, sharp reflections on black-framed partitions, and the soft n... More

Visualization by 100CGI Studio for an interior architecture practice: The Maryah Pavilion, a 25,000 sq ft premium office on Al Maryah Island in Abu Dhabi. Eight stills were delivered in 14 days, months before the fit-out started. The set worked as a digital twin. It had to lock the finish schedule and open pre-leasing talks with the kind of tenant who reads a finish schedule for sport: law firms and funds. 100CGI Studio 100CGI Studio 100CGI Studio Drawing the volume was the easy half. The scheme runs on contrast, matte charcoal acoustic panels against a high-gloss stone floor, warm oak screening against pale stone. A slightly wrong shader ruins that. The floor turns into a mirror, or the charcoal collapses into a black hole... More

Visualization by 100CGI Studio for an interior architecture practice: The Iron Grid Hub, a 32,500 sq ft creative campus in Abu Dhabi. Eight stills were delivered in 15 days. 100CGI Studio 100CGI Studio 100CGI Studio The scheme is raw on purpose: exposed concrete, black steel, services left in view. Every client asks the same thing of a design like this, whether it will feel cold, and the images had to answer before the question reached the pitch room. Get the light slightly wrong and the space reads as a car park with desks in it. 100CGI Studio 100CGI Studio The warmth was already in the drawings. A full-height stair in orange-brown perforated steel runs through the space, planting is threaded through timber ceili... More

Visualization by 100CGI Studio for a private client: The Balance Core, a 21,000 sq ft headquarters in Miami. Nine stills were delivered in 17 days, so the client could see how very different spaces flow into each other before building started. 100CGI Studio 100CGI Studio 100CGI Studio Everything sits on one level: desks, lounges, a games room, a kitchen and a full fitness wing. A floor plate like this lives or dies on whether the loud half wrecks the quiet half, and sound is the one thing a render cannot show. So the separation had to be visible. Sightlines, level changes, planting and changes of material tell a viewer which corner is calm and which one is loud, without signs or labels. That is where most multi-use office i... More

Visualization by 100CGI Studio for a private developer: the interiors of a villa in the Arabian Hills belt of Dubai, shown as 5 stills and a 76-point tour before ground broke. The set was delivered in 10 days. The purpose was agreement. A developer, an interior designer and an owner each look at a house differently, and stone is expensive to reorder. A digital prototype let all three settle proportion and material on screen first. 100CGI Studio 100CGI Studio Three finishes carry the house, and all three are unforgiving in CGI: striated cream travertine running the walls, dark veined marble on the counters, smooth walnut joinery. Dubai daylight is hard and comes in through deep glass. Light it for drama and the travertine flatten... More

Visualization by 100CGI Studio for an interior architecture practice: The Obsidian Forum, a 1,200 sq m corporate headquarters in Riyadh's King Abdullah Financial District. Six stills were delivered in 18 days. 100CGI Studio 100CGI Studio The scheme turns almost every overhead plane matte black, and that is the hardest surface in the room to keep. Polished dark stone fails by turning into a mirror. Matte black fails the other way: it absorbs nearly everything you throw at it. 100CGI Studio 100CGI Studio Underexpose the acoustic rafts and they crush into a hole above the room, with no texture and no edges. Overexpose them and they drift to a washed-out grey that reads as cheap paint. The renders live inside that narrow b... More