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Raul Sanchez Architects strips slender house down to exposed brick facades and inserts modern interior
José Hevia

Raul Sanchez Architects strips slender house down to exposed brick facades and inserts modern interior

15 Apr 2022  •  News  •  By Tom Kolnaar

Raul Sanchez Architects stripped a 19th century property in a ruinous state, located in Barcelona’s Borne district, down to its facades, dividing walls and roof. What was left is a 15 meter high void revealing a composition of all kinds of bricks and stones arranged without apparent order or composition. Inside this void, Raul Sanchez Architects inserted a modern interior.

José Hevia

Three new floors are organized by a spiral staircase that runs the entire height of the property without touching its walls at any time. The stairs are painted white in search of a certain material  abstraction. White lacquered wood ceilings further enhance this.

José Hevia

The floors are supported by beams that run between the dividing walls. A sheet of glass creates a separation between the floors and the facade to emphasize the contrast between old and new.

José Hevia

From bottom to top, the building houses a kitchen and dining room, living room, bathroom and dressing room, bedroom, and a rooftop terrace.

José Hevia

In contrast to the rough walls of exposed brick, the new elements have a refined materiality. Warm oak wood floors are combined with white microcement, hydraulic mosaic and brass details.

José Hevia

The installations are bundled in 7 stainless steel cylinders that run the entire height. 6 are used to conduct the electrical, ventilation, plumbing, extraction, sanitation, air conditioning and telecommunications installations, leaving one empty for future needs.

José Hevia

With the same future proofing flexibility in mind Raul Sanchez Architects, with the exception of the kitchen and bathroom fittings, kept all floors unoccupied to allow for easy adaptation over time.

José Hevia

A skylight floods the interiors with natural light running down the stairwell until the lowest levels. The glass floor in front of the windows gives an impression of the full height of the facade.

José Hevia

The main facade was rehabilitated through strict dictates of the heritage commission. At the entrance, rules allowed for some imagination. A three-dimensional design of rhombuses and triangles finished with 3 types of aluminum mark the entry to the building.

José Hevia