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Bukkekjerka

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The site is located along the Norwegian Scenic Route Andøya in Northern Norway. Characteristic for the site is the rock formation of “Bukkekjerka” between the road and the sea; a protected Sami cultural monument where nature has carved out an altar and a pulpit. Over the last 50-60 years this has been the venue of an annual open-air church service that attracts people from all over the district. In pre-Christian time this was a sacred site, where Sami people made offerings, to which the sacrificial cave on the seaside bears witness.


When we first came to the site we were struck by the beauty of the place, andby its diversity; a dramatic landscape where the fierce North Sea meets the shore and later steep mountains, Sami tales and monuments connected to different parts of the land, remnants of the old fishing community Børvågen, the old lighthouses towards east, and consecrated ground and unique geological formationsto the south – all surrounding the rock formation known as “Bukkekjerka” - or “Bohkegeargi” in Sami.


We wanted to highlight these different places by introducing several and dispersed elements to the site.


The facility therefore consists of different elements spread out in the landscape: Parking and service functions to the north, a bonfire by the shore, a free-standing seating bench on the mountain facing the midnight sun, picnic areas, paths, and a footbridge that shows the way out towards the lighthouses. Furthest south is a rest area on consecrated ground. This part of the facility is planned to be used for an annual open-air church service as well as weddings and other gatherings.


The introduction of the various elements into the landscape help uncover the inherent qualities of the place. Our hope is that these elements are unveiled and experienced gradually, encouraging further exploration and experience of place.

The elements are adapted to the existing terrain, not the other way around. We have wanted to proceed carefully, but also with a boldness that echoes the surrounding landscape. 


The main architectural expression consists of folded concrete slabs, inspired by the jagged mountain peaks in the area. Variations within the same materiality arise from different functions, and in their encounter with different landscape situations. Our goal was that the project should appear more like landscape and sculptural elements, less like a building.


The service building with toilets has one-way mirror glass so that the visitor in private may enjoy the view over the open sea and the row of mountain peaks in the north. On the outside, the mirror glass windows reflect the magnificent landscape. The building otherwise consists of polished, acid-resistant steel that reflects the surroundings.


The view from a vernacular Norwegian outhouse is in part the inspiration. At the same time, we are fascinated by mirroring as a phenomenon. The mirroring makes the built melt in with the surroundings, at the same time offering a new and shifting experiences.


We are very happy now that we see the entire project finalized, and that the different elements have become as intended and designed. It has not been only easy. The site is remote, and weather conditions have at times been extremely harsh. A formidable effort has been done by all involved parties.

 

It’s exciting to see how the project is received, especially by the local community. Andøya is a unique and distinctive place. Our hope is that the facility will be used again and again, by visitors and of course by local residents.


Bukkekjerka

Bukkekjerka
Applied products
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Built around the existing terrain, the breathtaking “Bukkekjerka” rest area project is found along the Scenic Route Andøya in Northern Norway.

Positioned alongside a road that separates steep mountains to the east from the sea to the west the facility has been designed by Oslo studio MORFEUS arkitekter and is the remarkable architectural addition to the series of 18 driving routes, which pass through Norway’s natural highlights. Andøya follows a portion of the coast past a rock formation called Bohkegeargi, which is a protected cultural monument connected with the heritage of the local Sami people. The rocks form a natural altar and pulpit where offerings to the gods were once made. It is now used for open-air church services that attract people from across the district.

When the architects Caroline Støvring and Cecilie Wille first came to the site they were struck by the beauty of the place, and by its diversity; a dramatic landscape where the fierce North Sea meets the shore and later steep mountains. There are Sami tales and monuments connected to different parts of the land, remnants of an old fishing community, old lighthouses towards east, and consecrated ground and unique geological formations to the south – all surrounding the rock formation known as “Bukkekjerka”. They wanted to highlight all these different places by introducing several and dispersed elements to the site.

 

Their intention was to unveil and experience different elements gradually, encouraging further exploration and experience of the inherent qualities of the place. 

The main architectural expression consists of folded concrete, inspired by the jagged mountain peaks in the area. The forms and materiality of the new interventions are informed by their surroundings, with angular concrete structures scattered across the rugged terrain.

Variations in materiality are shown across their different functions - the MORFEUS team wanted the project to appear more like landscape and sculptural elements combined and less like a building.

The service building with toilets which features the HV1E in matt black (colour 27) uses one-way mirrored glass so that the visitor can enjoy the view over the open sea and the row of mountain peaks in the north, in total privacy.

On the outside, the mirror glass windows not only reflect the magnificent landscape, but also allows the structure to melt in with the surroundings, offering new and shifting experiences. The building otherwise consists of polished, acid-resistant steel that reflects the surroundings.

CREDITS
Bukkekjerka has a boldness that echoes the surrounding landscape and consists of number different elements such as parking and service functions to the north, a bonfire by the shore, a free-standing bench on the mountain, picnic areas, paths, and a footbridge that shows the way out towards the lighthouses. Characteristic for the site is the rock formation of “Bukkekjerka” between the road and the sea.

Brand description
Danish design is about the enduring power of craft, style, sustainability and honest materials. For half a century, Vola has epitomised this approach, making taps, showers and accessories that combine simple, elegant shapes with innovation in form and function. Vola has been involved in some of the world’s best-known contemporary buildings since 1968, when Vola owner Verner Overgaard invited celebrated architect Arne Jacobsen to collaborate. The result was the birth of the iconic Vola 111 shape, the company’s first product, designed for the National Bank of Denmark. It attracted immediate international acclaim, combining simple circular and linear forms with revolutionary plumbing hidden in its walls – Vola had, in fact, created the first fully integrated, single lever mixer tap. By setting this benchmark for minimal contemporary design and high standards of process and manufacturing, Vola is often imitated but never matched. Today Vola products are internationally recognised as true design icons. For five decades, expert knowledge and specialist skills have come together to create and innovate. The company places such emphasis on craftsmanship and longevity that some of its earliest products are still fully operational today. Vola is both the original modern tap designer and a multi award-winning brand that brought contemporary Danish design to the home.
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