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World-Renowned Museum Folkwang Illuminated by SEFAR® Architecture LightFrame

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Founded in 1902,the Museum Folkwang in Essen, Germany is a pioneering art institution. It was the first museum of contemporary art in Europe, and acquired Germany’s first public collection of works by the forerunners of Modernism – Cézanne, Gauguin, van Gogh and Matisse. Today, the museum houses some of Germany’s most renowned and prominent art collections, many of which are displayed under a pioneering product in the architectural world – SEFAR® Architecture LightFrame.


SEFAR Architecture LightFrame is the only fabric framing system available that can provide both light diffusion and acoustic improvements. It features dual wrinkle-free, high light-diffusing architectural fabrics biaxially stretched over a light, modular frame system. LightFrame’s unique secondary skin allows it to diffuse light, improve acoustics and eliminate penetration of debris more effectively than other ceiling products.


As part of an expansion project completed in January 2010, the Museum Folkwang added 40,903 square feet that complemented the museum’s existing space. The new space features six structures, four atriums, plus gardens and galleries. The varied sequence of spaces provides natural light for the exhibition areas that are supplemented by side windows and light ceilings. To satisfy the demand of exhibiting works of art in both natural and artificial light, SEFAR Architecture’s LightFrame system was installed at Museum Folkwang.


Museum Folkwang features 18,094 square feet of the SEFAR Architecture LightFrame system, made up of 13,186 square feet in a pillar-free hall for temporary exhibitions and 4,908 square feet in a permanent exhibition space. The temporary exhibit space utilizes 247 10.5-by-5 foot LightFrame modules, while the permanent exhibit space includes 267 6-by-3 foot LightFrame modules.


“We were looking for a product with very specific properties - one that could both partially diffuse light and partially maintain its directionality,” says Andrew Sedgwick, Project Director for Arup, the lighting designer of the project. “SEFAR’s LightFrame achieved this purpose excellently, and we were very pleased with the results.”


The easily adaptable LightFrame system features a custom frame developed by SEFAR Architecture. The system is built with individual, hinged rigid frames that allow direct access to building equipment and appliances in the ceiling cavity.


The design of the ceiling modules allowed them to be installed using a small derrick crane, saving museum operators a substantial amount on the cost of steel construction, since walk-in access to building equipment and appliances were no longer needed. The LightFrame system was outfitted with runners for a mobile wall partition system to allow for suspended separating wall elements in the space when needed.


The individual LightFrame modules are stretched with SEFAR Architecture’s IA-95-CL PVDF interior acoustic fabric on the visible side that allows a high light transmission of 95 percent and transparent ET film on the reverse. The dual skin system is airtight and eliminates penetration of dust and insects on the fabric membrane, which can inhibit the transference of light over time.


“In our project, the LightFrame product successfully filters incoming daylight whilst maintaining a natural variation through the day as the sun moves through the sky, and visitors can see the subtle difference from morning to afternoon. It ultimately gives a naturalistic feel to the rigorous, but calm gallery interiors,” adds Andrew Sedgwick.


The innovative ceiling system also provided several other benefits to the museum, including diffused and uniform light transmission, improved acoustics and long-lasting resistance to UV light. The low-maintenance material resists UV rays, moisture and dirt and meets all fire code requirements. In the event of a fire, LightFrame produces very little smoke and instead of dripping, it dissipates.


The project began in 2007 and was completed in January 2010. Members of the project team included architect David Chipperfield Architects, Berlin, Germany and London, England, lighting designer Arup, London, England, planning and construction manager Plan Forward, Stuttgart, Germany and engineer and installer, Schmid GmbH, Simmerberg, Germany.


The Museum Folkwang LightFrame ceiling is recognized as an innovative project in the design industry. It recently won a 2011 DETAIL Prize in the corporate prize product category – awarded by the architectural magazine DETAIL, in collaboration with the BAU 2011 tradeshow, the Bavarian Chamber of Architects and the Architectural Society of China. Prizes were awarded to buildings that feature especially well-designed, groundbreaking and technically innovative details with an outstanding overall design.


To learn more about SEFAR Architecture’s LightFrame system, visit http://www.sefar.us/lightframe.


Additionally, SEFAR Architecture LightFrame received the 2010 GOOD DESIGN™ Award. Presented by the Chicago Athenaeum: Museum of Architecture and Design and the European Centre for Architecture Art Design and Urban Studies, the GOOD DESIGN Award remains the oldest and most recognized program for design excellence worldwide. In June 2011, The Chicago Athenaeum hosted the annual GOOD DESIGN SHOW in Chicago, IL, where LightFrame was exhibited. For more information about the award, visit: http://www.chi-athenaeum.org/gdesign/index.html.

Folkwang Museum

Folkwang Museum

With the implementation of a daylight design scheme, the intention is to maintain the current listed requirements but at the same time, the essential characteristics of daylight, such as variability and change to the light color.


The exhibition spaces are lit primarily by daylight. The use of artificial lighting is reduced to a minimum, and preferably takes place only on the cloudiest of days and after dark.


The rooms in the permanent collection are supplied with natural light by a central skylight. The four vertical surfaces within the skylight are made of frosted glass and are equipped with electric sun blinds. These sun protection elements block unnecessary light when the museum is closed and regulate the use of natural light during the opening times.


In the temporary exhibition hall, a system of north-facing skylights is used to allow a generous amount of natural light. Motorized sun protection elements and a semi-translucent membrane help provide a clear and uniform light distribution within the galleries.

Brand description
We shape a better world We are an independent firm of designers, planners, engineers, consultants and technical specialists offering a broad range of professional services. Through our work, we make a positive difference in the world. We shape a better world. Founded in 1946 with an initial focus on structural engineering, Arup first came to the world’s attention with the structural design of the Sydney Opera House, followed by its work on the Centre Pompidou in Paris. Arup has since grown into a truly multidisciplinary organisation. Most recently, its work for the 2008 Olympics in Beijing has reaffirmed its reputation for delivering innovative and sustainable designs that reinvent the built environment. Arup brings together broad-minded individuals from a wide range of disciplines and encourages them to look beyond the constraints of their own specialisms. This unconventional approach to design springs in part from Arup’s ownership structure. The firm is owned in trust on behalf of its staff. The result is an independence of spirit that is reflected in the firm’s work, and in its dedicated pursuit of technical excellence. A better way The power to influence the future of the built environment carries with it a weighty responsibility. Many of Arup’s projects leave a legacy to subsequent generations: a legacy that outlasts any one individual. With 10,000 projects going on at any one time, Arup is doing the best possible job for current and future generations. Putting sustainability at the heart of its work is one of the ways in which Arup exerts a positive influence on the wider world. Put simply, Arup people are driven to find a better way. Arup’s independent ownership structure gives conviction a place in its decision-making, alongside the needs of clients and commercial imperatives. The result is clear-sighted, thoughtful decisions about its priorities as a business and as a member of society. Arup influences many people’s lives through its projects. Shaping a sustainable future – particularly through the urban environment – will be one of the greatest challenges in the 21st century. Arup is rising to the challenge: investing in research, innovating and creating better solutions for its clients and the wider world. “…our lives are inextricably mixed up with those of our fellow human beings, and that there can be no real happiness in isolation…” Ove Arup, 1970. A people business Arup brings together professionals from diverse disciplines and with complementary skills, on a uniquely global scale. The depth of expertise and the sheer numbers of specialists allow Arup to take on complex, strategic projects that no other firm could have delivered. The UK’s first international high speed railway, High Speed 1, also known as the Channel Tunnel Rail Link, is just one example – completed on time and on budget. Clients trust Arup’s people to question a vision as well as help to realise it. Arup’s commitment to a sustainable approach to all its projects is both enshrined in a formal sustainability policy and embraced personally by the individuals that together make up the firm. Arup’s ownership structure actively reinforces this approach and holds the firm accountable to its own people for its independent approach, and to its social and corporate responsibility. Arup has a healthy mix of people with very different perspectives and from many cultures, working together, learning from each other and generously sharing their knowledge and ideas. International team-working is the stuff of everyday life for its people, who take advantage of the skills networks within the firm that allow easy collaboration between colleagues who may be on opposite sides of the world, but are working on the same or similar projects. Talented people join Arup for the opportunity it provides to work on some of the world’s most exciting projects, to develop a specialism of their own or simply to find their niche. The chance to work with some of the world’s leading experts, the range of professional opportunities, and the support and freedom for innovation means that Arup remains a magnet for many of the world’s most talented engineers and designers. Making a difference Arup’s work in the built environment leaves a significant legacy to subsequent generations. This power, to design and influence the built environment, carries with it a responsibility to do the best possible job for current and future generations. Putting sustainability at the heart of its projects is one of the ways in which Arup exerts a positive influence on the wider world. Investing in research and development is another: without such investment, innovation can be stifled. Without the capacity to innovate, our ability to combat the effects of climate change and other global issues would be compromised. Corporate responsibility is not simply a policy at Arup, but a way of w
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