HOW CAN SPACE OPTIMIZE PERFORMANCE?
Flex, STRETCH AND GLOW!
Momentous Sports Medicine is a physical therapy and sports performance practice – a program that blends elements of medical office, gym, and spa. ‘The Momentous Dynamic’ is routed in a comprehensive assessment of the patient’s functional movement from head to toe to detect dysfunctional movement patterns and determine what is necessary to optimize the body’s performance.
Inspired by this dynamic, the design evolved from a similarly rigorous diagrammatic analysis of the existing conditions. The space was once an alley-facing carriage house and open courtyard that has since been roofed over, though three skylights maintained a connection with the sky above. Our analysis highlighted flow, light, and visibility as key issues that needed to be addressed and optimized. Our solution employs two primary elements – an articulated gold ceiling and a core of wood-paneled millwork – to organize the spatial response.
The articulated ceiling plane organizes circulation drawing clients inward, masks HVAC ductwork, and integrates lighting. The result is an elevated ceiling zone that optimizes the existing skylights all while subtly imbuing the space with the Momentous’ brand signature gold. Private program spaces including staff office, shower, restroom, and recovery room were compressed in a wood-panel wrapped volume placed to create separate reception and workout zones. The workout space, outfitted with rubber and turf flooring, occupies the former courtyard. Once obscured by the bustle of Blagden Alley’s bars, restaurants, and coffee shops, the entrance now glows through the evening, its cut-metal sign band linking seamlessly to the undulating gold ceiling within and proudly announcing the presence of Momentous Sports Medicine. As with many alley properties, this is site without a ‘back’: so trash, equipment, and utility connections are at the front door. These are neatly stowed in a loggia behind tilted doors, enhancing the tunnel-effect of the stretched gold ceiling.
