Casa K’ankab. Within a Dzidzilché forest, and with the intention of altering the existing landscape as little as possible, a hexagonal grid was established. This grid rigorously protects the existing vegetation footprint while defining the placement of the house. Beyond symbolizing one of the most efficient structural forms found in nature, this geometry directly references bees—the primary pollinators of the Dzidzilché flower—establishing both a symbolic and structural connection with the environment.

Due to the dense vegetation, the house is dispersed, seeking clearings of light. Circulation paths intertwine with the forest, while views extend through the space. The result is a garden that contains a house, rather than a house that contains a garden.

The volumetry, composed of monolithic geometric elements, appears to emerge from the ground, with a monochromatic materiality that evokes the reddish earth tones of the region (K’ankab). Openings are strategically placed to frame the landscape, dissolving the threshold between interior and exterior, and reinforcing an intrinsic relationship between nature and dwelling. The interior scale of the volumes creates a comfortable thermal microclimate while simultaneously generating a space of silence, enhancing the sense of connection with the natural surroundings.

Reforestation was encouraged in the few barren areas through the incorporation of endemic species and water features, thereby supporting local biodiversity. To preserve the urban image, a low wall was designed to visually define the boundary while still allowing views into the forest within. Additionally, a void was left at the corner, creating a connection between adjacent streets and emphasizing the volumes as sculptural elements within the landscape.