Guwahati International Airport, Guwahati, Assam

Guwahati International Airport, Guwahati, Assam

Architect
Design Forum International
Location
Guwahati, Assam, India
Project Year
2021
Category
Transports

Regionals

Airports

Guwahati International Airport, Guwahati, Assam

Design Forum International as Architects

Guwahati International Airport, Guwahati, Assam

Moments…Life is nothing but a series of moments. Some more poignant than the others!

At Design Forum International,designs are aimed atcreating memorableand awe-inspiring experiences for the users. The Guwahati International Airport is conceptualized in a similar vein: the intent is to trigger moments of discovery and togetherness, enhancing user engagement. DFI also believes that it is important to be contextually reverent. The design, therefore, is infused with the flavors of Assam, the land which is asam(undulating).

Air travel can be quite taxing – emotionally as well as physically.The design solution emerges out of the intent to soothe frayed nerves and tired bodies, and to create an environment that evokes memories, stirs wonder, and rekindles pride and a sense of belonging.

The Indian aviation industry spearheaded by Airports Authority of India is currently registering a 15-20% Compound Annual Growth Rate. Contributing substantially to the annual growth, Guwahati International Airport registers an annual growth of 36%, which is double of the national growth. The addition of a new international standard terminal will only add to this growth by supporting the overflow and paving way further for user expansion.

Currently, the airport sees an annual footfall of 3.5 million; once completed, the airport will experience an annual footfall of nine million per annum, registering near to a threefold increase in users. The existing airport handles only two international flights per week, this number will increase to nine by the completion of the project by 2021.

Designing an airport presents an intriguing challenge; aviation is one of the most complicated industries in the world, and runs on incredibly smooth logistics. One has to contend with enormous functional demands, and almost military-level precision. The architectsdid not want to restrain themselves to just fulfillingthe requirements; they yearned to imbibe the designwith an identity – a lingering, almost-haunting memory of the time spent within. It is from this pull and push of forces that a thought emerged: there was a need to create spaces that would involve and stimulate, and not just deliver and facilitate.

Conceived as the iconic Icarus: The epitome of the human urge to fly|The form of the structure takes inspiration fromIcarus – the mythological figure who dared to fly.The majestic centerpiece is symbolic and looms over the departure concourse, its arms outstretched as it reaches out to the skies. The floating form doubles up as the canopy for the drop-off zone.

Origami: An art, an expression | Few things straddle the realms of art, physics, and sculpture, as Origami does. The childhood memories of flying paper planes, zooming towards the heavens,are reminiscent of individual craftsmanship. While designing, Origami served as a guide to the architects –a companion and a tool as they delved into the evolution of form. Before they knew it, however, the idea dominated the design completely: it finds expression in the terminal roof, the flooring patterns, the column cladding, the theme walls, and even the signage design.

Craft Village: Immersive and engaging | India is a land of diversity: every nook and corner of the landis packed with mysteries and local delights. The airport recreates this experience for the travelers, extending it beyond books and handicraft emporiums. This enhances engagement, making travelers a part of life at the airport. Spaces have been allocated for the artisans to sit and produce right atthe airport, encouraging interaction with visitors. Engaging the craft, the craftsman, and the visitor, in one experience altogether, the crafts village augments the shopping and retail experience for the traveler.

Indoor forest: Wish you were here | Coming out of the plane, the travel weary eyes look for some solace, a relief from the mass of humanity that engulfed them on the plane. It is here that one viewsan oasis of rich river-basin rainforest from the corner of the eye, and out comes the yearning to be a part of it. Lo and behold! Wish granted – The visitor is positioned withina 90-feet high indoor rainforest, which needs to be navigated before being reunited with the luggage. The rainforest doesn’t let one just hurriedly pass through; passages that zig-zag through this space bring forth vistas and wonders at every corner.

Craft Walls: Is it an airport or a gallery?|The craft walls have been conceived as a canvas for current and future trends: they display innovative products and artefacts. The NamaskarAtrium is a massive double-heighted space that creates an experience for the inbound visitor, with its walls adorned with the art and craft of Assam.The Baggage Claim hall wall is an exercise in modularity with Origami aluminum panels that derive inspiration from the hilly terrain of the North-eastern states.

Tea-gardens: On an airport, where else| The tea-gardens are a mark of reverence to the context, and serve as an inspiration for landscape design. They are positioned atthe front yard along with a water cascade. The landscape weaves a story of its own and clings to the departing and arriving passengers as they walk through it before boarding their pick-up vehicles. The drive up to the departure level is reminiscent of the first climb up a mountain road after the tiring and relentless plains. The car zooms up as the plains give way to rolling earth-berm greens.

Materiality: An architect’s best friend | To enrich materiality,glass was selected as the palette of choice for the façade – GFRC wraps around the façade’s tricky and smooth wide expanses, facilitatingday-light penetration and visual uniformity.The use of terracotta tiles references the architecture of fort-like citadels and imparts stability. Terrazzo flooring has been employedin the interiors for its versatility and playfulness, whilst the use ofgranite ensuressteadiness. Aluminum origami panelsendowrelief and sintered stoneis used for wall and column cladding.

GRIHA: Our guide to sustainability | The Guwahati Airport is designed with 4-Star GRIHA rating parameters. The focus on sustainability was imbibed right at the design inception stage, when aconscious attempt was madeto inter-weave the built form with the outdoors. The  indoor forest is a physical manifestation of this thought: it is separated by a glass wall from the larger outdoor forest, fitting in like a tongue-in-groove with the terminal building, and becoming anintegral and inseparable part of the built whole. The car park structures are designed to be covered with photovoltaic panels that generate almost 500 KW of solar energy.

 

At the altar of the land of the mighty Brahmaputra and MaaKamakhya Devi, the New Integrated Terminal Building at Guwahati International Airport is an ode to the ancient yet reinvigorated spirit of Assam, the Seven Sisters, and our own Incredible India. It is the collective dream and effort of a team of fifteen consulting and design firms, including Aecom, Design Forum International, Integral Designs, Axis Facades, Gaurav Jindal, AlpanaKhare Designs and CBRE.

 

 

Project Credits
Oxford Brookes University John Henry Brookes and Abercrombie Building
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Oxford Brookes University John Henry Brookes and Abercrombie Building

Universities
Oxford Brookes University, Headington Campus, Gipsy Lane, Oxford, United Kingdom - Build completed in 2014
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