Located in the area with the toponym "Psilafi" in Paros Greece. As its Greek name betrays it, it is at the highest point of a hill, it has a southwest orientation on the long side, overlooking the sea and Antiparos. The "dwellings" found in the area have a unique character due to the topography. It is a series of buildings of local architecture with different uses (houses, warehouses, stables, etc.) and geometry (oncoplasia) that are composed as a whole.

Influenced by the vernacular architecture and its reduction to a more modern and free form, we proposed the creation of white folded walls that are rooted (riza) to the ground and begin to unfold on the landscape, and can easily adapt to it due to its plasticity.

In this way, a multifaceted building emerges from the ground and adapts to the particular morphology. In this way, multi-level exterior yards facing the view are created. The yard is used as connecting element in order to create a single residential complex that is reminiscent of the local dwellings, “katoikies”.

The guest house is separated from the central volume with the aim of privacy for the tenants. Both the guest house and the main building have openings that unify the interior with the exterior and allow the house to expand during the summer months, utilizing the courtyards protected from the north wind.

Another vital feature of the building is the openings in different sizes and heights that give a more playful mood with the intense and varied shadows that create in the once monotonous white volume.

The logic of Riza is also perceived in the flexible flows that occur both between the living spaces and the roof. The visitor entering from the main staircase is led between the white and the stone retaining wall that resembles the local dry-stone walls in the entrance courtyard. From there he can enter the building, proceed to the guestroom with the element of water to guide him, or go up to the roof and enjoy the view of Aegean Sea.

The building, although inspired by vernacular architecture, aims to redefine it through a modern prism.