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Superkilen Master Plan

GENERAL DESCRIPTION Superkilen is a half a mile long urban space wedging through one of the most ethnically diverse and socially challenged neighborhoods in Denmark. It has one overarching idea that it is conceived as a giant exhibition of urban best practice – a sort of collection of global found objects that come from 60 different nationalities of the people inhabiting the area surrounding it. Ranging from exercise gear from muscle beach LA to sewage drains from Israel, palm trees from China and neon signs from Qatar and Russia. Each object is accompanied by a small stainless plate inlaid in the ground describing the object, what it is and where it is from – in Danish and in the language(s) of its origin. A sort of surrealist collection of global urban diversity that in fact reflects the true nature of the local neighborhood – rather than perpetuating a petrified image of homogenous Denmark.


Superkilen is the result of the creative collaboration between BIG, Topotek1 and SUPERFLEX, which constitutes a rare fusion of architecture, landscape architecture and art - from early concept to construction stage.


A WORLD EXHIBITION AT NØRREBRO Superkilen is a park that supports diversity. It is a world exhibition of furniture and everyday objects from all over the world, including benches, lampposts, trash cans and plants – requisites that every contemporary park should include and that the future visitors of the park have helped to select. Superkilen reattributes motifs from garden history. In the garden, the translocation of an ideal, the reproduction of another place, such as a far off landscape, is a common theme through time. As the Chinese reference the mountain ranges with the miniature rocks, the Japanese the ocean with their rippled gravel, or how the Greek ruins are showcased as replicas in the English gardens. Superkilen is a contemporary, urban version of a universal garden.


THREE ZONES, THREE COLORS – ONE NEIGHBORHOOD The conceptual starting point is a division of Superkilen into three zones and colors – green, black and red. The different surfaces and colors are integrated to form new, dynamic surroundings for the everyday objects. The desire for more nature is met through a significant increase of vegetation and plants throughout the whole neighborhood arranged as small islands of diverse tree sorts, blossom periods, colors - and origin matching the one of surrounding everyday objects.


TRAFFIC CONNECTIONS To create better and more transparent infrastructure throughout the neighborhood, the current bike paths will be reorganized, new connections linking to the surrounding neighborhoods are created, with emphasis on the connection to Mimersgade, where citizens have expressed desire for a bus passage. This transition concerns the whole traffic in the area at outer Norrebro and is a part of a greater infrastructure plan. Alternatives to the bus passage include signals, an extended middle lane or speed bumps.


MARKET/CULTURE/SPORT – THE RED SQUARE As an extension of the sports and cultural activities at the Norrebrohall, the Red Square is conceived as an urban extension of the internal life of the hall. A range of recreational offers and the large central square allows the local residents to meet each other through physical activity and games. The colored surface is integrated both in terms of colors and material with the Nørrebrohall and its new main entrance, where the surface merges inside and outside in the new foyer.


Facades are incorporated visually in the project by following the color of the surface conceptually folding upwards and hereby creating a three-dimensional experience. By the large facade towards Norrebrogade is an elevated open space, which almost like a tribune enables the visitors to enjoy the afternoon sun with a view. In addition to the cultural and sportsfacilities, the Red Square creates the setting for an urban marketplace which attracts visitors every weekend from Copenhagen and the suburbs.


Superkilen’s central marketplace is located in the area of the existing hockey field. A large area on the square is covered by a multifunctional rubber surface to enable ballgames, markets, parades, and skating rinks in winter etc. The mobile tribunes of Norrebrohallen can be moved there for open-air movie/sports presentations. The square towards East allows outdoor service from the café inside by the future main entrance. Towards North, the visitors will enjoy basketball courts, parking spaces and an outdoor fitness area.


-The red square is defined by a street in each end and building and fences along the sides. The edge is moving in and out - and we have tied the area together by connecting the surrounding given lines and edges in the big red pattern. A big red carped stretched out between all sides of the square. -Fitness area, Thai boxing, playground (slide from Chernobyl, Iraqi swings, Indian climbing playground), Sound system from Jamaica, a stencil of Salvador Allende, plenty of benches (from Brazil, classic UK cast Iron litter bins, Iran and Switzerland), bike stands and a parking area. -Only red trees except the existing ones. -Basket ball next to parking.


URBAN LIVING ROOM – THE BLACK SQUARE Mimers Plads is the heart of the Superkilen Masterplan. This is where the locals meet around the Moroccan fountain, the Turkish bench, under the Japanese cherry-trees as the extension of the area’s patio. In weekdays, permanent tables, benches and grill facilities serve as an urban living room for backgammon, chess players etc. The bike traffic is moved to the East side of the Square by partly solving the problem of height differences towards Midgaardsgade and enable a bike ramp between Hotherplads and the intersecting bike path connection. Towards North is a hill facing south with a view to the square and its activity.


-The square can be spotted by the big, dentist neon sign from Doha, Qatar. -Brazilian bar chairs under the Chinese palm trees, Japanese octopus playground next to the long row of Bulgarian picnic tables and Argentinean BBQ’s, Belgian benches around the cherry trees, UV (black light) light highlighting all white from the American shower lamp, Norwegian bike rack with a bike pump, Liberian cedar trees. -To protect from the street ending at the north east corner of the square and to meet the wishes from the neighbors, we have folded up a corner of the square creating a covered space. -Unlike the pattern on the red square, the white lines on Mimers Plads are all moving in straight lines from north to south, curving around the different furniture to avoid touching it. Here the pattern is highlighting the furniture instead of just being a caped under it.


SPORT/PLAY – THE GREEN PARK Bauman once said that “sport is one of the few institutions in society, where people can still agree on the rules”. No matter where you’re from, what you believe in and which language you speak, you can always play football together. This is why a number of sports facilities are moved to the Green Park, including the existing hockey field with an integrated basketball court as it will create a natural gathering spot for local young people from Mjolnerpark and the adjacent school.


The activities of the Green Park with its soft hills and surfaces appeals to children, young people and families. A green landscape and a playground where families with children can meet for picnics, sunbathing and breaks in the grass, but also hockey tournaments, badminton games and workout between the hills.


-The neighbors asked for more green so we ended up making the green park completely green – not only keeping and exaggerating the curvy landscape, but also painting all bike- and pedestrian paths green. -From Tagensvej at the very north, the park is welcoming with a big rotating neon sign from USA, a big Italian chandelier and a black Osborne Bull from Costa del Sol (a wish from a Danish couple living in the area!). -Armenian picnic tables next to Mjølnerparken with South African BBQ’s, a volcano shapes sports arena for basket ball and football, a line dance pavilion from Texas, muscle beach from LA with a high swing from Kabul, Spanish ping pong tables and a pavilion for the kids to hang out in.


The green park is turning into Mimers Plads on the top of the hill to the south. From the top of the hill you can almost overlook the entire Superkilen.

Urban Revitalization Superkilen

Urban Revitalization Superkilen

Superkilen is a heterogenous site-collage in a dense, centrally located neighbourhood in Copenhagen. The strongly international quarter with a mix of different cultures is revitalized using open space as a physical framework. This space is to be propelled beyond its current role as a mono-functional transit area into being innovative and dense with synchronicities. Accordingly, the concept aims at enhancing the diverse characters of its protagonists and within the site. A black square, a red square and a green park are the matrix of dialogue with the realities of Superkilen.


As part of this dialogue, the design reattributes an essential motif from garden-history. In the garden, the translocation of an ideal, the reproduction of a another place, of a far off landscape, is a common theme through time. Where the historic Chinese garden features miniature rock formations of famous mountain ranges, the Japanese zen garden abstracts the sea into waves of gravel. The historic gardens in Florence or Versailles are loaden with allegorical depictions and the historic English landscape garden showcases replications of Greek ruins.


In Superkilen this theme finds a contemporary, an urban form: a global, universal garden. Here, the transfer of significative elements from other places and cultures reflects the multi-ethnic structure of the neighborhood and activates it. The furnishing of Superkilen is developed from an international catalogue of urban design elements. In many months of workshops and conversations with residents and local associations the creativity and fantasy of the quarter has been mobilized. Civic participation has been developed as a motor for the design principle of multitude. Round benches, fountains, lamps, fitness equipment and sundry more now projects Superkilen’s diversity and international personality onto the matrix of a versatile neighborhood park.


The light advertisements from many countries on the red square are probably the most obvious markers of this cultural transfer. The imported advertisement alienates the place in an almost theatrical way. The commmercial objects, all begging for attention, actually fall short of their culturally specific target group. In the process, however, they become ambassadors and activists of a global urban culture. The synchronously staged repertoire of advertisements illuminates and mobilizes the neighborhood’s international character in times of information and communication. Meanwhile, the flashing neon advertisement for a Japanese pachinko parlour surprises and astonishes as much as historic chinoseries in a landscape garden, while telephone cells from Latinamerica create the flicker of an illusion of a beach promenade.

Brand description
TOPOTEK 1 was founded in Berlin in 1996 by Martin Rein-Cano. It works around the field of landscape architecture and understands itself as a traveller within the fringe areas of typologies and scales, jaunting into architecture, urban design, music and art. The hybridisation of topics and disciplines, the removal, transmission and re-contexualisation of various design features and objects, and the staging and design of scenographic sequences are just some of their key strategies. The alertness and receptivity to the general contemporary discussion is maintained through this working method. The global movement of society and culture continually redefines the broad spectrum of possibilities in relation to the constitution of public space. TOPOTEK 1 develops concepts through a critical understatement of the given realities and a deep historical knowledge. This provides solutions and designs which fulfill the modern requirements of variability, communication and sensuality. TOPOTEK 1 reflects on public spaces as an expression of visions and society as a whole. Some of TOPOTEK 1’s major projects are: the Railway Cover in Munich, the Sports Facilities Heerenschürli in Zurich, the German Embassy in Warsaw and the Castle Park in Wolfsburg. Recently completed projects include the Research and Recreation Center Paläon in Schöningen, the Bord Gais Networks Center in Dublin and the Big Dig in Xi’an International Horticultural Exposition. Currently, TOPOTEK 1 is working on various projects including the masterplan for Høje Taastrup City in Denmark, the urban design of Porte Jeune in Mulhouse, the World Heritage Cloister in Lorsch, the Siemens Headquarters in Munich and the Hyundai Automobile Complex in Seoul. TOPOTEK 1’s work has received many awards and prizes over the years: the German Urban Design Prize in 2002, the German Architecture Prize in 2003, the Foundation Award for ’Exuberant City’ in 2005, the National Award for Integrated Urban Development and Building Culture «Building Cities, Living Cities» in 2009, the Hugo Häring Prize in 2011, and an honourable mention within the context of the German Architectural Landscape Prize in 2009, 2011 and 2013, awarded by the Chamber of German Landscape Architects. Martin Rein-Cano is the founder of TOPOTEK 1 and has been Managing Director since 1996. Lorenz Dexler joined as Managing Partner in 1999. Martin was born in Buenos Aires in 1967, he studied art history at Frankfurt University and landscape architecture at the Technical Universities of Hannover and Karlsruhe. Lorenz was born in Darmstadt in 1968, he studied landscape architecture at Hannover Technical University. Both Martin and Lorenz lecture at internationally renowned universities and cultural institutions, and regularly participate on competition juries.
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Superkilen

Superkilen

An urban park project in Copenhagen divided into three main areas: The Red Square, The Black Market and The Green Park. While The Red Square designates the modern, urban life with café, music and sports, The Black Market is the classic square with fountain and benches. The Green Park is a park for picnics, sports and walking the dog.


The people living in the immediate vicinity of the park relate to more than 50 different nationalities. Instead of using the designated city objects/furnitures used for parks and public spaces, people from the area was asked to nominate specific city objects such as benches, bins, trees, playgrounds, manhole covers and signage from other countries. These objects were chosen from a country of the inhabitant’s national origin or from somewhere else encountered through traveling. The objects were either produced in a 1:1 copy or bought and transported to the site.


Furthermore, five groups traveled to Palestine, Spain, Thailand, Texas and Jamaica in order to acquire five specific objects. The objects have since been installed throughout the park. In total there are more than 100 different object encountered from more than 50 different countries.


Commissioned by City of Copenhagen and RealDania, the concept for Superkilen is developed by SUPERFLEX in collaboration with architectural firms Bjarke Ingels Group (BIG) and Topotek1.

Brand description
SUPERFLEX is an artists' group founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen. SUPERFLEX describe their projects as Tools. A tool is a model or proposal that can actively be used and further utilized and modified by the user.
Products applied in Cultural , Urban Planning
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