Archello Awards 2025: Open for Entries! Submit your best projects now.
Archello Awards 2025: Open for Entries!
Submit your best projects now.

Living Roof & Public Landscape - Brooklyn Botanic Garden Visitor Center

Honored by the NYC Design Commission with an Award for Excel¬lence in Design in 2008 for integration of form, function and sustain¬able practice, the new visitor center to the Brooklyn Botanic Gar¬den establishes a visionary public interface between the city and the garden. The landscape’s central feature is the building’s living roof design, conceived as a seamless, inhabitable extension of the Garden that mergers landscape and architecture and redefines physical and philosophical relationships between visitor and garden, exhibition and movement, culture and cultivation.


Fusing contemporary site engineering technology with sustainable landscape and horticultural design, the Visitor Center landscape de¬sign marks the Garden’s centennial and demonstrates the institu¬tion’s commitment to environmental stewardship and conservation by providing a new pedagogical paradigm with this high performance landscape design and new botanical exhibit for its next 100 years of public service and education.


STORMWATER MANAGEMENT A network of storm water collection features an extensive green roof, storm water channel, vegetated swales and bio-infiltration basins. Collectively, these elements retain storm water on site to facilitate natural filtration and ground water recharge and discharge to the municipal sewer.


SOIL RECLAMATION Contaminated soils in the historic fill demanded remedial action. Distinct soil profiles were designed to reconstruct existing soils and restore viable soil biology to support each diverse horticultural conditions. The bio-infiltration basin's loose deep soils absorb water and filter pollutants and expand the volume of storm water capture. Structural soils in plazas provide contiguous expansive soil volumes to sustain limitless tree root growth under paved areas.


HORTICULTURAL EXHIBIT The planting design demonstrates how a specific mix of plant species and types can regenerate high performing ecologies. Informed by native plant communities, botanic collections are organized in bold drifts, from upland to lowland typologies that knit the Visitor Center landscape into the existing and establish a resilient design structure for future garden expansion.

Project credits

Landscape Architects
Photographers
Consultants

Brooklyn Botanic Garden Visitor Center

Brooklyn Botanic Garden Visitor Center

A botanic garden is an unusual kind of museum, a fragile collection constantly in flux. As a constructed “natural” environment, it is dependent on manmade infrastructures to thrive. New York City’s Brooklyn Botanic Garden contains a wide variety of landscapes organized into discrete settings such as the Japanese Garden, the Cherry Esplanade, the Osborne Garden, the Overlook, and the Cranford Rose Garden. The Botanic Garden exists as an oasis in the city, visually separated from the neighborhood by elevated berms and trees.

 

To provoke curiosity and interest in its world-class collection, the Brooklyn Botanic Garden Visitor Center provides a legible point of arrival and orientation, an interface between garden and city, culture and cultivation. The building is conceived as an inhabitable topography that defines a new threshold between the city and the constructed landscapes of the fifty-two-acre garden.

 

Sited at Washington Avenue and within the berm that separates the Brooklyn Museum parking lot from the Botanic Garden, the Visitor Center provides clear orientation and access to the major garden precincts such as the Japanese Garden and the Cherry Esplanade. The Center includes an exhibition gallery, information lobby, orientation room, gift shop, café, and an events space.

 

Like the gardens themselves, the building is experienced cinematically and is never seen in its entirety. The serpentine form of the Visitor Center is generated by the garden’s existing pathways. The primary entry to the building from Washington Avenue is visible from the street; a secondary route from the top of the berm slides through the Visitor Center, frames views of the Japanese Garden, and descends through a stepped ramp to the main level of the Garden.

 

The curved glass walls of the Center’s gallery are mediating surfaces between the building and the landscape. The fritted surfaces of the glass filter light and provide veiled views into the Garden. By contrast, the north side of the center is inscribed into the berm. The steel-framed superstructure adjusts to the curved plan and gives shape to the undulating roof canopy. The building utilizes earth mass and spectrally selective fritted glass to achieve a high-performing building envelope, minimizing heat gain, and maximizing natural illumination. A geothermal heat-exchange system is used to heat and cool the interior spaces. Additional sustainable strategies include a green roof, storm water management, and rainwater collection that irrigate a series of landscaped terraces.

 

A chameleon-like structure, the visitor center transitions from an architectural presence at the street into a structured landscape in the botanic garden. The Center redefines the physical and philosophical relationship between visitor and garden, introducing new connections between landscape and structure, exhibition and movement.

Brand description
WEISS/MANFREDI Architecture/Landscape/Urbanism is at the forefront of architectural design practices that are redefining the relationships between landscape, architecture, infrastructure, and art. The firm’s projects are noted for clarity of vision, bold and iconic forms, and material innovation. Named one of North America’s “Emerging Voices” by the Architectural League of New York, WEISS/MANFREDI’s distinct vision was recognized with the Award in Architecture from the American Academy of Arts and Letters. Additional honors include the Tau Sigma Delta Gold Medal and the New York AIA Gold Medal. Marion Weiss and Michael Manfredi were recently inducted into the National Academy of Design. The firm’s design for the Seattle Art Museum’s Olympic Sculpture Park, awarded by international competition, integrates art, architecture, and ecology in a new model for waterfront development. Exhibited in the “Groundswell” show at The Museum of Modern Art, the project has won a World Architecture Festival ‘Nature’ Award, Progressive Architecture Award, AIA Awards, ASLA Honor Award, EDRA Places Award, and was the first North American project to be awarded Harvard University’s International V.R. Green Prize in Urban Design. The award-winning Krishna P. Singh Center for Nanotechnology recently opened to the public at the University of Pennsylvania. This state-of-the-art lab facility brings together researchers from across disciplines in a welcoming new gateway to campus. The firm recently won a design competition for the Co-Location Building, the second building to appear on Cornell NYC Tech’s groundbreaking new technology campus in New York City. The building will create a new academic model for technology and research, innovation and professional exchange creating a multidisciplinary incubator for the campus. WEISS/MANFREDI is currently engaged in the Design Excellence program with the Department of State to re-envision American embassies abroad. Hunter’s Point South Waterfront Park, located on the East River in New York, weaves together infrastructure, landscape, and architecture into a new model of urban ecology. The firm’s Visitor Center at the Brooklyn Botanic Garden, winner of the Award for Excellence in Design by the NYC Public Design Commission and a National ASLA Honor Award, is conceived as a seamless extension of the Garden’s path system. The sinuous building nests into an existing hillside, offering a new sequence of views into and through the historic Garden. Other built works include the Barnard College Diana Center in New York, New York, winner of a National AIA Honor Award; the Office Building and Visitor Reception at Novartis’s North American Headquarters; the Museum of the Earth in Ithaca, New York; the Smith College Campus Center in Northampton, Massachusetts; and the Women’s Memorial and Education Center at Arlington National Cemetery—winner of a Federal Design Architectural Award and a National AIA Honor Award. WEISS/MANFREDI won a national competition with OLIN to redesign the Sylvan Theater, an integrated outdoor amphitheater at the Washington Monument Grounds on the National Mall in Washington, D.C. Additional urban design studies include the NYC 2012 Olympic Rowing Venues, a redesign of New York City’s Columbus Circle, commissioned by the Municipal Arts Society, and the Brooklyn Bridge Master Plan to develop design strategies for Lower Manhattan areas affected by the events of September 11th. WEISS/MANFREDI’s work has been exhibited internationally, including the Cooper Hewitt Smithsonian Design Museum, the National Building Museum, Max Protetch Gallery, the Architectural League of New York, Storefront for Art and Architecture, the Essen Germany Design Center, the São Paulo International Biennial, the European Landscape Biennial, the Guggenheim Museum, and the Venice Architecture Biennale. Original charcoal drawings of the Olympic Sculpture Park are in the permanent collection of The Museum of Modern Art.
Products applied in Commercial , Cultural , Educational , +2
Share or Add Brooklyn Botanic Garden Visitor Center to your Collections