Designed by Michaelis Boyd, Duddell’s London is a restaurant and art space within a listed building located in London Bridge. Drawing inspiration from a 1960’s Hong Kong tea house, while respecting what is a fine example of historic Queen Anne architect, the restoration makes use of an intriguing palette of materials. At the centre, is a dramatic freestanding island. The worktop is made form pink terrazzo with white chips, which provides a subtle contrast to the surrounding green tiling. The boldy coloured, geometric floor made from C02-neutral Marmoleum likewise contrasts against the dark oak lining the perimeter of the restaurant. Furthermore, in a nod to the fusion of new and old, modern chandeliers are connected to the original ceiling with a series of lightweight fixings that have minimum impact.
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London-based architectural practice, Michaelis Boyd has completed the design for Duddell’s London, a new restaurant and arts space concept in the heart of London Bridge.
The original two-Michelin star award-winning Duddell’s was founded in Hong Kong in 2013 by creative entrepreneurs Alan Lo, Paulo Pong and Yen Wong. The space was conceived as a cultural and social destination for people with an appreciation for the arts, providing an inspiring backdrop in which to meet, eat, drink and socialise. As at Duddell’s Hong Kong, the London brand will display a regular rotation of contemporary artwork, making it part restaurant and part gallery.
Duddell’s London is located within the historic Grade II-listed St Thomas Church, one of the finest examples of Queen Anne architecture in London. Michaelis Boyd has overseen the restoration of the building to create an authentic Cantonese restaurant, which is headed up by Chef Daren Liew, previously Executive Sous Chef with the Hakkasan Group.
The restaurant is set on two floors; the ground floor design is focused towards the original dark timber church altar, while the mezzanine level allows views through a clear glass balustrade across the vast eight-metre high space and open kitchen.
The design for Duddell’s London was inspired by the traditional 1960’s Hong Kong tea restaurant, making use of colour and pattern to create a retro space with a contemporary twist.
A monolithic structure, clad in green tiles provides the centrepiece of the restaurant and spans the ground floor. This dramatic central island acts as the open dim sum kitchen and cocktail bar. The island is free-standing, detached from the walls and existing wooden panelling of the building. The work top is made from pink terrazzo with white chips providing a subtle contrast to the green tiling. The bar has decorative brass shelving for glasses and bottles with discrete, built-in illumination that provides a focus for the diners sitting at high level timber bar stools. Additional illumination is provided by impressive bespoke light fittings made from perforated overlapping satin brass sheets.
The boldly coloured, geometric floor made from rubber, contrasts against the existing dark oak cladding which lines the perimeter of the restaurant. In order to protect the original timber flooring of the space, Michaelis Boyd raised the floor level and in areas where this was not possible, left the existing timber flooring exposed and protected. A free-standing deep blue leather banquette sits in front of the four-metre high windows offering an abundance of natural light to lunch time guests with an additional L-shaped sofa in blue leather complimented by poufs in mohair velvet. Michaelis Boyd carefully matched the new wooden elements of paneling around the banquette seating to the existing dark wooden finish of the building. A mixture of black rattan and timber chairs are positioned in the restaurant with an array of tables with colourful laminate tabletops.
The mezzanine level wraps around two sides of the restaurant offering views across the space and onto the open kitchen and bar below. Responding to the traditional architecture while respecting the fabric of the listed building, Michaelis Boyd has introduced modern chandeliers connected to the original ceiling by a series of lightweight fixings that have minimal impact on the original structure.
