The Garden

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Directly in the middle of Berlin the Residential District “The Garden” with owner-occupied as well as rented flats was completed in August 2016. Right across from the new headquarter of the German Secret Service a complex of buildings with 5 to 7 above-ground levels was built. 161 exquisite rented flats, 120 owner-occupied flats, 7 commercial units and 121 underground parking spaces find a place there now.

photo_credit Jens Willebrand
Jens Willebrand

Spacious patios, cantilevered balconies as well as the wonderfully arranged city garden give “The Garden” its name. Calm courtyards and secluded, idyllic gardens provide greenery and create places of retreat. Plastic building structures and diverse intertwined facades shape the appearance of this superferent design.

photo_credit Jens Willebrand
Jens Willebrand

The building complex was developed on Chausseestrasse, the oldest route between the center of Berlin and the district of Wedding, right where the former border area between West and East Berlin left a desolate, empty lot in the nineties. The concept for the site is based on forerunners from the nineteenth century. For example, Riehmer’s Hofgarten in the district of Kreuzberg and the Amelia Park in the district of Pankow are ensembles of magnificent residential buildings that cover a quarter or even half of an entire neighborhood, each with narrow pathways and green spaces that lead from one street to another.

photo_credit Jens Willebrand
Jens Willebrand

The attractiveness of The Garden is rooted in a similar design. Rising eight stories at their full height, the front buildings with office spaces, commercial areas and apartments along Chausseestrasse form a gate. A walkway leads from the opening between the two flat-topped towers, pointing toward the neo-Gothic chapel of the cemetery of the Cathedral Parish and passing three small, green inner courtyards.

The Garden

The Garden
Topotek 1 © Hanns Joosten

“The Garden” is a residential housing development in the heart of Berlin near the former inner-German border.Following the designated title of the development project, our design aims at fulfilling that promise and to create an actual garden for the forthcoming development. Underground parking infrastructure, provided an obstacle towards achieving a dense dissolving aesthetic of vegetation.

photo_credit Topotek 1 © Hanns Joosten
Topotek 1 © Hanns Joosten

Taking the romantic garden as a conceptual starting point, the evolving cultivated wilderness alludes to a variety of classical garden elements but disperses them to a loose vegetation pattern of vividly growing bushes, shrubs and flowers combined with a pixel-like paving grid as informal way-system connecting the green.

photo_credit Topotek 1 © Hanns Joosten
Topotek 1 © Hanns Joosten

Sunken trees and a great variety of perennial species were inserted into the partly sunny and shady recesses of the dense building complex atop the underground parking enabling the garden to grow naturally.

photo_credit Topotek 1 © Hanns Joosten
Topotek 1 © Hanns Joosten

Cultivating the common form of the garden which acts as an antipode to the surrounding structural form, resulted in an updated contemporary layout.

photo_credit Topotek 1 © Hanns Joosten
Topotek 1 © Hanns Joosten

In this sense, the green structures form a self-confident counterpart to the formal and large-scale new edifices and constitute a dynamic reference point within the otherwise clean urban context. 

photo_credit Topotek 1 © Hanns Joosten
Topotek 1 © Hanns Joosten
photo_credit Topotek 1 © Hanns Joosten
Topotek 1 © Hanns Joosten
photo_credit Topotek 1 © Hanns Joosten
Topotek 1 © Hanns Joosten

Client: Garden Projektentwicklung GmbH, PeaksideFourS.á.r.l.

Brand description
TOPOTEK 1 was founded in Berlin in 1996 by Martin Rein-Cano. It works around the field of landscape architecture and understands itself as a traveller within the fringe areas of typologies and scales, jaunting into architecture, urban design, music and art. The hybridisation of topics and disciplines, the removal, transmission and re-contexualisation of various design features and objects, and the staging and design of scenographic sequences are just some of their key strategies. The alertness and receptivity to the general contemporary discussion is maintained through this working method. The global movement of society and culture continually redefines the broad spectrum of possibilities in relation to the constitution of public space. TOPOTEK 1 develops concepts through a critical understatement of the given realities and a deep historical knowledge. This provides solutions and designs which fulfill the modern requirements of variability, communication and sensuality. TOPOTEK 1 reflects on public spaces as an expression of visions and society as a whole. Some of TOPOTEK 1’s major projects are: the Railway Cover in Munich, the Sports Facilities Heerenschürli in Zurich, the German Embassy in Warsaw and the Castle Park in Wolfsburg. Recently completed projects include the Research and Recreation Center Paläon in Schöningen, the Bord Gais Networks Center in Dublin and the Big Dig in Xi’an International Horticultural Exposition. Currently, TOPOTEK 1 is working on various projects including the masterplan for Høje Taastrup City in Denmark, the urban design of Porte Jeune in Mulhouse, the World Heritage Cloister in Lorsch, the Siemens Headquarters in Munich and the Hyundai Automobile Complex in Seoul. TOPOTEK 1’s work has received many awards and prizes over the years: the German Urban Design Prize in 2002, the German Architecture Prize in 2003, the Foundation Award for ’Exuberant City’ in 2005, the National Award for Integrated Urban Development and Building Culture «Building Cities, Living Cities» in 2009, the Hugo Häring Prize in 2011, and an honourable mention within the context of the German Architectural Landscape Prize in 2009, 2011 and 2013, awarded by the Chamber of German Landscape Architects. Martin Rein-Cano is the founder of TOPOTEK 1 and has been Managing Director since 1996. Lorenz Dexler joined as Managing Partner in 1999. Martin was born in Buenos Aires in 1967, he studied art history at Frankfurt University and landscape architecture at the Technical Universities of Hannover and Karlsruhe. Lorenz was born in Darmstadt in 1968, he studied landscape architecture at Hannover Technical University. Both Martin and Lorenz lecture at internationally renowned universities and cultural institutions, and regularly participate on competition juries.
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