Archello Awards · Winners Announced
Archello Awards 2024 · Winners Announced
Archello Awards 2024
Winners Announced
Louis Armstrong House Museum Visitor Center
Albert Vecerka/Esto
Product Spec Sheet

ElementBrandProduct Name
CarpetingInterface
Acoustical plaster ceiling systemFellert
Even Better
LightingiGuzzini
Exterior DoorsSCHÜCO
FurnitureSteelcase
High Density Storage SystemSpacesaver Corporation

Product Spec Sheet
Carpeting
Acoustical plaster ceiling system
Even Better by Fellert
Lighting
Exterior Doors
by SCHÜCO
Furniture
by Steelcase
High Density Storage System

Louis Armstrong House Museum Visitor Center

Caples Jefferson Architects as Architects

Designed by Caples Jefferson Architects, the new the new Louis Armstrong Center at the internationally renowned Louis Armstrong House Museum in Corona, Queens, is a place for education, entertainment, and research. It is the permanent home for the 60,000-piece Louis Armstrong Archive (the world's largest for any jazz musician) and a 75-seat venue for performances, lectures, films, community events and educational experiences. The Center also features Here to Stay, an exhibition curated by multimedia artist Jason Moran, which explores Armstrong’s five-decade career as an innovative musician, rigorous archivist, consummate collaborator and community builder. 

photo_credit Nic Lehoux
Nic Lehoux
photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto

Located across the street from the existing House Museum, the new 14,000-square-foot building is the final piece of a larger campus that includes the home itself, Armstrong’s garden, and now the Center, designed as an interpretation of Armstrong’s infinite love of music. 

photo_credit Nic Lehoux
Nic Lehoux
photo_credit Nic Lehoux
Nic Lehoux

Guests are welcomed to the Center by a large canopy and front wall, which create an urban forecourt that defines the building within the community and invites visitors in. In a neighborhood comprised of modest two-story houses, the firm kept the building in the scale of its surroundings, while creating an urban precinct that notes the singular work of the man whose music underlies so much of what we listen to today. The center simultaneously fits in and stands out – a paradox that reflects Armstrong’s life and work.

photo_credit Nic Lehoux
Nic Lehoux
photo_credit Nic Lehoux
Nic Lehoux

The curved front wall is a faceted flat-glass façade that utilizes metal fins – a lesson from Gestalt psychological theory – to create the illusion of curving. This perceived curvature recalls both the rough jazz and love of lyricism that were Armstrong’s leading achievements. 

photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto
photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto

Within tall, double-glazed glass units, a layer of woven brass mesh reflects the neighborhood by day and acts as a beacon to evening performances at night. The brass coloring mirrors the instruments Armstrong surrounded himself with, also appearing on the underside of the undulating canopy and in the incipits on the paired interior columns. 

photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto

Inside the building, visitors move sequentially through greeting and exhibit spaces lit by daylight cutting in and out through the windows. A vast archival collection of recordings, manuscripts, and personal artifacts is housed on the second floor, along with a reading room for visiting researchers and offices for museum staff.

photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto

The Center also includes The Jazz Room, a deep-red-and-mahogany music room where live musicians can rehearse and perform. The space is topped by a tilted roof plane whose flowering green roof is viewed from the conservator's workroom. Armstrong’s legacy is honored not only by the many interactive exhibits, but by the live performances and open rehearsals that welcome the visitor in this culminating space.

photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto
photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto

With extensive use of green roofing and careful selection of ecologically sensitive materials, the building is designed to achieve a LEED-Silver rating.

photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto
photo_credit Nic Lehoux
Nic Lehoux

Team:

Architects: Caples Jefferson Architects

Structural Engineering: Severud Associates

MEP/FA Engineering: WSP

Lighting, AV & Acoustical: Arup

Sustainable Design: Steven Winter Associates (Sustainable Design)

Exhibits/Graphic Design: C&G Partners/Potion Design/Art Guild

Construction Manager: Hill International 

General Contractor: Paul J. Scariano, Inc.

Photographers: Nic Lehoux,  Albert Vecerka/Esto

photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto

Materials used:

Facade cladding: Curtain wall, custom, Alutech
Metal panels, Revere Copper Freedom Gray
Canopy soffit, AIA Sheet Metal, custom bronze panels

Flooring: Dyed polished concrete, Ameripolish

Carpeting: Near and Far by Interface

Exterior Doors: Schüco

Interior Doors: Lambton flush wood doors

Ceilings: Acoustical plaster ceiling system, Even Better by Fellert

Acoustical panel millwork: Micr-pperforated panels by RPG

Glazing: AKMA Glass Company

Roofing: Flat Seam Metal, Zinc-coated copper, Freedom Gray by Revere Copper
Protected Membrane Green Roof Assembly, Barrett Roofing and Jorg Breuning - Green Roof Technology

Interior lighting: USAI, we-ef, iGuzzini, Lumenpulse

Interior furniture: Knoll, Steelcase

High Density Storage System: Spacesaver

photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto
photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto
photo_credit Albert Vecerka/Esto
Albert Vecerka/Esto
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