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Bombas Gens Art Center

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Bombas Gens is an old industrial building with an unquestionable social-historical value and one of the rare remaining examples of the industrial architecture of the thirties. Its Art Deco façades and architecture make it a special, unique location for some new uses according to today needs.

The new facilities have been created as an internationally renowned multi-use space where Fundació Per Amor a L’Art will carry out its three-branch activity (arts, society and research).

"Our aim has always been to apply a homogeneous intervention criterion to the whole complex, and, at the same time, give each building, be it original or recently built, the characteristic features that it needs for its specific use." - Ramón Esteve

 

First shape
The core of the complex is an art centre that uses four of the original warehouses and most of the façade. By its sides we can find the restaurant and the day care centre for children at risk of social exclusion, as well as Foundation’s offices using the former villa.

 

Recover the essence
Ceramic brick and galvanised steel are the most used materials because they evoke the original industrial atmosphere of the complex. In some other more secluded places, we have reinterpreted the original tiling of the cellar and the archery, which combines with the wood to make the rooms more distinguished. In the interior, we have reproduced the original lightweight timber decks.

You can access the Bombas Gens Art Centre through the façade bay. Then you get into the courtyard walking on a restored industrial weighing machine that covers most of the floor of the hall. In the courtyard, some hackberry trees grow on a floor covered by recovered sandstone cobbles. Through its irregular shape, we can discover intuitively the different facilities: straight forward, the entrance to the art centre; to the right, the restaurant, and to the left, partially secluded from the entrance, the offices.

 

Second phase
During the second stage of Bombas Gens’ renovation process, Ramón Esteve has designed a rear courtyard, confined by brick walls, that holds a garden designed by the landscape artist Gustavo Marina and a site-specific sculpture by Cristina Iglesias. This is consists of two irrigation canals, inspired by the Turia River, whose abstract interior evokes roots and the bottom of a river. The courtyard is placed on the centre’s parking lot and includes a new topography created by a folding in the sandstone pavement that holds the trees. The walls that surround the garden also hosts a space for the 15th-century cellar, covered by brick latticework that filters the sunlight generating an intimate atmosphere. Inside, a glass footbridge goes over the cellar and enables us to watch both the cellar and the original tiling found during the excavation of the farmhouse.

For the day-care centre, we have chosen similar materials to those of the warehouse, hand-made brick walls. Thus, the building becomes the background of the general view supporting the industrial buildings. This huge brick volume, where the classrooms are placed, is attached to some coloured concrete beams topped by the latticework made of glazed roof tile halves that we found in the villa.

 

Architects: Ramón Esteve, Eduardo de Miguel, Anabelle Sheldorf

Bombas Gens Centre d'Art

Bombas Gens Centre d'Art
© Ángel Rosique
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Bombas Gens Centre d'Art is an art centre belonging to the Fundació Per Amor a l'Art and was inaugurated in July 2017 after an extensive restoration. It is a museum that hosts exhibitions and other cultural activities in the old factory of Bombas Hidráulicas Carlos Gens SL, a former industry built in 1930, located in the neighborhood of Marxalenes in Valencia (Spain).

The building was abandoned from the end of the last century, which caused several episodes of fires and collapses, until the year 2017, when Bombas Gens reopened its doors as a centre for cultural activities promoted by the Fundació Per Amor a l'Art. Since then and until now, Bombas Gens has become an exhibition centre for national and international unique artists, focusing on photography and abstract languages, both in painting and sculpture. In continuous growth, it brings together more than 1,500 works by more than 150 authors.

In 2019, the Generalitat Valenciana declares Bombas Gens a "Project of social interest", a recognition that is given to projects that obey criteria such as its social impact and repercussion, its incidence inside and outside the Valencian Community, its innovative character, its contribution to cultural training, its interest in promoting citizen participation or its contribution to the promotion, development, conservation, rehabilitation and diffusion of the Valencian artistic, cultural and historical heritage.

Inside this outstanding building, we can appreciate an exquisite lighting design by Flos, where the most outstanding lights that are integrated into the architectural surfaces of the building are the Zero Track projectors, which provide direct lighting, ideal for any art gallery.

Images: © Ángel Rosique

Brand description

Flos is an international company and brand synonymous with high quality and the ultimate expression of fine design, recognised the world over as a leading in the residential and architectural lighting sector. Established in Merano -northern Italy- in 1962 by Dino Gavina and Cesare Cassina, in 1964 the Gandini family took up the helm and transferred the company’s headquarters to the Brescia area. Right from the outset, Flos commissioned great masters of Italian design to work with the company, such as the Castiglioni brothers -Achille and Pier Giacomo- and Tobia Scarpa. One of the first experimental projects was cocoon, a plastic material made in the U.S. The aim was to create industrial archetypes and ground-breaking products, which soon went on to become design icons, like the Arco floor lamp.

In the late 1980s, the company began its exclusive collaboration with Philippe Starck, an emerging designer on the international scene, who introduced some revolutionary concepts for Italian design. Sergio Gandini’s son Piero was appointed CEO in 1996 and Chairman in 1999. He gave a strong impulse to internationalization and called on other great designers to work with him, including Antonio Citterio, Piero Lissoni, Jasper Morrison, Konstantin Grcic, Patricia Urquiola, Marcel Wanders, Ron Gilad, the Bouroullec brothers, Michael Anastassiades, Vincent Van Duysen, Nendo and Formafantasma.

The 1990s saw the development of the contract business area. In response to growing demand for specific solutions addressed to high profile custom lighting projects, the Light Contract division was established in 1996. Recently renamed Flos Bespoke, it represents a standout among the custom lighting companies at a global level.

In the 2000s, the architectural sector was given a strong boost by the acquisition of Antares, a Spanish company specialising in technical lighting. This union of a Spanish manufacturer of professional lighting equipment and an Italian manufacturer of designer lamps for the residential market resulted in the Flos Architectural division, which successfully combines advanced, cutting-edge lighting technologies and unique poetic quality of light.  

In November 2014, the entry of the European private equity fund Investindustrial into the Flos’ capital marked the start of a further period of industrial development and international expansion for the company, through both organic growth and selective acquisitions. Flos Group acquired an additional interest of Antares (Flos Architectural), thus taking its share to 100%. In June 2015, Flos acquired Italian architectural outdoor lighting company Ares. The Flos Outdoor division thus became the Group’s fourth production unit, alongside the historical design, architectural and custom products sectors. In November of the same year Flos also acquired NYC-based Lukas Lighting, a company specializing in the design, development, and manufacturing of sophisticated custom lighting products. This move was aimed to give a strong boost to the Flos growth in the North American contract market.

In November 2018 Flos, together with B&B Italia, Louis Poulsen and Arclinea, joined The Design Holding, a project arisen from the partnership of investment firms Investindustrial and The Carlyle Group, representing the biggest global high-end interior design group with a European heritage. In June 2019, Roberta Silva was appointed as Chief Executive Officer of Flos, to further strengthen the holding’s management teams and to contribute to the growth of the Group.

Flos is today the only company in the lighting field that is able to offer a complete range of fully integrated solutions. It exports to more than 90 countries worldwide and has single-brand stores in Rome, Milan, Paris, New York and Stockholm. The brand’s creations have received numerous international awards and many of them are now featured in the permanent collections of leading international art and design museums.

 

www.flos.com

 

For further information:

 

Donatella Matteoni

PR, Events & Cultural Initiatives Manager

+39 02 37011023 - +39 366 6139506 - [email protected]

 

 

Products applied in Commercial , Cultural , Industrial , +3
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